Record ID | marc_columbia/Columbia-extract-20221130-032.mrc:23974393:2934 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:23974393:2934?format=raw |
LEADER: 02934cam a22003973i 4500
001 15571974
005 20210823135745.0
008 210301s2021 be a c 000 0 eng d
035 $a(OCoLC)on1240241187
040 $aERASA$beng$erda$cERASA$dZCU
020 $a9789463934152
020 $a9463934154
035 $a(OCoLC)1240241187
050 4 $aNB237.T87$bA4 2021
082 04 $a700.411
049 $aZCUA
100 1 $aTuttle, Richard,$d1941-$eartist,$eauthor
245 10 $aRichard Tuttle :$bStories I-XX /$ctexts by Richard Tuttle; edited & designed by Luc Derycke
246 30 $aStories I-XX
246 3 $aStories 1-20
264 1 $aBrussels :$bGalerie Greta Meert ;$a[Ghent, Belgium] :$bMer. B&L,$c2021
300 $a113 pages :$billustrations ;$c34 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at Galerie Greta Meert, Brussels, Belgium from October 29, 2020 - March 20, 2021
520 8 $aRichard Tuttle (°1941, USA) lives in New York, New Mexico and Maine. His work spans a range of media, from sculpture, painting, drawing, printmaking and artist's books to installation and furniture. In this new body of work 'Stories, I'XX' the artist elaborates on his displacement of painting into other realms to engage us in a rhythmical reflection on color. As we move from one Story to the next, the idiosyncratic nature of these cutout plywood pieces comes to confront their seriality - form and logic sporadically emerge and disappear. During the 1980s, Richard Tuttle began experimenting with materials and framing devices to probe art's relationship to scale, form and systems of display. Diverting from the cold precision of Minimalism his approach to art making embraces a playful and handmade quality that promotes the idea that things are always 'just beginning'. Often made out of humble materials such as plywood, cardboard, Styrofoam and paper, his work pushes the viewer to find forms of appreciation that aren't related to craftsmanship. In his own words, Tuttle proclaims that he loves materials, and at the same time is not really interested in them. The subtlety of this paradigm exemplifies his attitude towards art as a tool for life and an activity of sublimation engrossed in language and story telling. Exhibition: Galerie Greta Meert, Brussels, Belgium (29.10.2020 - 20.03.2021).
600 17 $aTuttle, Richard,$d1941-$2fast$0(OCoLC)fst00052523
650 7 $aSculpture, Modern$xExhibitions$2fast$0(OCoLC)fst01109790
650 7 $aSculpture, American$xExhibitions$2fast$0(OCoLC)fst01109532
650 7 $aPlywood$2fast$0(OCoLC)fst01067495
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs$2fast$0(OCoLC)fst01424028
700 1 $aDerycke, Luc,$eeditor,$edesigner.
710 2 $aGalerie Greta Meert,$ehost institution,$eissuing body.
852 00 $boff,fax$hNB237.T87$iA4 2021g