MARC Record from marc_columbia

LEADER: 03199cam a22005538i 4500
001 15575082
005 20210826220235.0
008 200928t20202020enka c 000 0 eng d
035 $a(OCoLC)1202992364
035 $a(OCoLC)on1202992364
035 $a(NNC)15575082
040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dYDX$dERASA$dOCLCF$dAS0$dCLE$dOCLCO$dOCL
015 $aGBC0F5286$2bnb
016 7 $a019972063$2Uk
019 $a1143617073
020 $a9780847869060$q(pbk.)
020 $a0847869067
043 $an-us---
050 4 $aN6537.R87$bA4 2020
082 04 $a759.13$223
049 $aHULL
100 1 $aRuscha, Edward,$eartist.
245 10 $aEilshemius & me /$cEd Ruscha.
246 31 $aEilshemius and me
264 1 $aLondon :$bGagosian,$c[2020]
264 2 $aNew York :$bdistributed by Rizzoli International Publications
300 $a2 volumes :$bcolor illustrations ;$c25 x 29 cm, in folder 26 x 30 cm
336 $astill image$2rdacontent
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aVolume titles from covers.
500 $aAccompanies an exhibition held at Gagosian, June 18-August 2, 2019.
505 0 $av. 1. Eilshemius -- v. 2. & Me.
520 8 $aEd Ruscha's 'Spied Upon Scene' series of paintings, begun in 2017, depict majestic mountainscapes resembling the idyllic ranges of travel books, postcards, adventure movies, and the Paramount Pictures logo. These vistas, visible through oval-shaped lenses or window grids, seem to refer to the nineteenth-century tradition of the American Sublime. In fact, their lineage includes an obscure American painter from the turn of the century, Louis Michel Eilshemius (1864-1941), whose use of painted frames became an influence on Ruscha's approach. Commemorating an exhibition at Gagosian, London, this catalog is the first publication to examine the connections between these two artists' work. Two booklets in a softcover portfolio feature full-color plates and installation views. An interview with Ruscha and an essay by Margaret Iversen explain how Ruscha first encountered Eilshemius's enigmatic paintings, which of the artist's aesthetic innovations captured Ruscha's imagination, and how his own work relates to and differs from that of the "Neglected Marvel" Eilshemius.
600 10 $aRuscha, Edward$vExhibitions.
600 10 $aEilshemius, Louis M.$q(Louis Michel),$d1864-1941$xInfluence$vExhibitions.
650 0 $aLandscape painting, American$vExhibitions.
600 17 $aEilshemius, Louis M.$q(Louis Michel),$d1864-1941.$2fast$0(OCoLC)fst00099460
600 17 $aRuscha, Edward.$2fast$0(OCoLC)fst00007277
650 7 $aLandscape painting, American.$2fast$0(OCoLC)fst00991960
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 12 $aRuscha, Edward.$tWorks.$kSelections.
700 12 $aEilshemius, Louis M.$q(Louis Michel),$d1864-1941.$tWorks.$kSelections.
700 1 $aIversen, Margaret,$eauthor.
710 2 $aGagosian Gallery (London, England),$ehost institution.
852 01 $bfax4off$hN6537.R87$iA4 2020g
866 41 $80$av.1-2