Record ID | marc_columbia/Columbia-extract-20221130-032.mrc:26407586:3131 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:26407586:3131?format=raw |
LEADER: 03131cam a2200445 i 4500
001 15575132
005 20210826220431.0
008 210720s2019 enka c 000 0 eng d
035 $a(OCoLC)1114973269
035 $a(OCoLC)on1114973269
035 $a(NNC)15575132
040 $aNIC$beng$erda$cNIC
020 $a1909932574$qpaperback
020 $a9781909932579$qpaperback
043 $ae-rb---
050 4 $aNB953.J38$bA4 2019
080 $aJEVRIC
049 $aHULL
100 1 $aJevrić, Olga,$d1922-2014,$eartist.
245 10 $aOlga Jevrić /$c[texts, Phyllida Barlow [and five others]].
264 1 $aLondon :$bRidinghouse,$c2019.
300 $a95 pages :$billustrations (chiefly color) ;$c22 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aThis book accompanys PEER's show presenting a group of sculptural works produced between the late 1940s and early 1990s. An exhibition that focused on Jevric?s Proposals for Monuments was presented at the Henry Moore Institute in 2006, but this will be Jevric?s first solo exhibition in London. Jevric worked primarily with a mixture of cement, iron dust, rods and nails, to create a range of distinct forms that investigate the relationship between solid matter and void; weight and weightlessness; containment and release. The surface of the works are roughly textured and pitted as if created by nature, rather than the artist?s hand. Jevric referred to her work as ?spatial compositions? rather than sculptures, suggesting how her musical training provided her with an understanding of how abstract form, like tone and timbre, can be used to highly expressive ends.0 0By way of bringing Jevric?s extraordinary work to contemporary British audiences, Richard Deacon (who met the artist at her studio on a number of occasions) and Phyllida Barlow and have been invited to write personal responses to this artist?s work. Other texts include an introduction by Fedja Klikovac of Handel Street Projects, a preface by Ingrid Swenson from PEER gallery and an essay by Serbian art historian Jesa Denegri.00Exhibition: PEER gallery, London, UK (28.06.-14.09.2019).
505 2 $aOlga Jevrić : spatial compositions / Fedja Klikovac -- A wonderful artist / Richard Deacon -- In her own time / Phyllida Barlow -- Olga Jevrić / Ješa Denegri -- 43 Theses / Olga Jevrić -- Olga Jevrić sculptures, 1950-1970 / Joan Key.
600 10 $aJevrić, Olga,$d1922-2014$vExhibitions.
650 0 $aSculptors$zSerbia$vExhibitions.
650 0 $aSculpture$zSerbia$vExhibitions.
600 17 $aJevrić, Olga,$d1922-2014.$2fast$0(OCoLC)fst00505846
650 7 $aSculptors.$2fast$0(OCoLC)fst01109473
650 7 $aSculpture.$2fast$0(OCoLC)fst01109483
651 7 $aSerbia.$2fast$0(OCoLC)fst01692602
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aBarlow, Phyllida,$eauthor.
710 2 $aPEER (Art gallery),$ehost institution.
710 2 $aHandel Street Projects,$ehost institution.
852 00 $boff,fax$hNB953.J38$iA4 2019g