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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-032.mrc:26462363:3133
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:26462363:3133?format=raw

LEADER: 03133cam a2200541Ii 4500
001 15575151
005 20210826220317.0
008 191103t20202020enkac b 000 0 eng d
010 $a 2019467688
035 $a(OCoLC)1126000131
035 $a(OCoLC)on1126000131
035 $a(NNC)15575151
040 $aYDX$beng$erda$cYDX$dUAB$dERASA$dOCLCF$dDLC$dCMA$dCHVBK$dOCLCO$dJPG$dFNE$dOCL
019 $a1232500965
020 $a9781912339709$q(hbk.)
020 $a1912339706$q(hbk.)
043 $an-us---
050 4 $aTR654$b.S5222 2020
082 04 $a770
049 $aHULL
245 00 $aTransparencies :$bsmall camera works 1971-1979 /$cStephen Shore ; afterword, Britt Salvesen.
246 30 $aSmall camera works 1971-1979
250 $aFirst edition.
264 1 $a[London] :$bMACK,$c[2020]
264 4 $c©2020
300 $a189 pages :$billustrations (chiefly color), portraits ;$c32 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
520 8 $aTransparencies: Small Camera Works 1971-1979' offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore's luminous new vision of the American landscape, 'Uncommon Places'. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are intimate, spontaneous and personal, while retaining Shore's studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master. With an afterword by Britt Salvesen, curator at LACMA, titled 'Ordinary Speech: The Vernacular in Stephen Shore?s Early 35mm Photography'.
600 10 $aShore, Stephen,$d1947-
650 0 $aPhotography, Artistic.
651 0 $aUnited States$vPictorial works.
600 17 $aShore, Stephen,$d1947-$2fast$0(OCoLC)fst00085232
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
600 17 $aShore, Stephen$d1947-$2gnd$0(DE-588)119197766
650 7 $aFotografie$2gnd$0(DE-588)4045895-7
650 7 $aKleinbildkamera$2gnd$0(DE-588)4114222-6
650 7 $aSkurrilität$2gnd$0(DE-588)4463630-1
650 7 $aUmland$2gnd$0(DE-588)4315899-7
651 7 $aAmerika$2gnd$0(DE-588)4001670-5
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
700 1 $aSalvesen, Britt,$ewriter of afterword.
700 12 $aShore, Stephen,$d1947-$tPhotographs.$kSelections.
852 00 $boff,fax$hTR654$i.S5222 2020