MARC Record from marc_columbia

LEADER: 03477cam a2200481Ii 4500
001 15588495
005 20210811150217.0
008 210213t20202020gw ac bc 000 0 eng d
035 $a(OCoLC)on1237550220
040 $aOHX$beng$erda$cOHX$dERASA$dJPG$dOCLCO$dJPG$dOCLCF
020 $a9783954763610$q(hardbound)
020 $a3954763613
024 3 $a9783954763610
035 $a(OCoLC)1237550220
041 0 $aeng$ager
050 4 $aTR685$b.P78 2020
072 7 $aTR$2lcco
082 04 $a700.411
049 $aZCUA
245 00 $aNicole Prutsch :$bbeyond the measuring principle /$cTexte, Domen Ogranjenšek, Nicole Prutsch, Andreas Spiegl.
246 30 $aBeyond the measuring principle
264 1 $aBerlin :$bDistanz Verlag,$c[2020]
264 4 $c©2020
300 $a105 pages :$billustrations (some color), portraits ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
546 $aParallel texts in English and German.
585 $aOn the occasion of an exhibition held at the Neue Galerie Graz, June 15 - August 19, 2018.
520 8 $aIn her work, Nicole Prutsch sets in motion processes of transmission, whereby she transfers scientific methodology to her artistic practice. Using photo and video installations often based on anthropological archival material, she subjects the picture material to processes such as automation, repetition, fragmentation, and chance. In this way, Prutsch questions the idea of truth and the generation of knowledge in the western cultural tradition, but she also investigates untapped potential in conceptualisation and picture production.00The cut is the central element in Nicole Prutsch?s (b. Austria, 1980; lives and works in Boston and Vienna) work. The artist harnesses historic materials from the archives of anthropology, subjecting them to processes of fragmentation, defamiliarization, and automation as well as repetition. Analyzing anthropological researchers? methods and the provenance of their visual sources, Prutsch undertakes a critical scrutiny of the standards and stratagems that sustain a scientific claim to objectivity. In photographs, videos, and installations that integrate the archival materials, Prutsch frames anachronistic margins of free play where natural science encounters philosophy and psychology, and raises probing questions concerning the genesis of knowledge and facticity.00The publication beyond the measuring principle was produced in conjunction with the exhibition of the same title at Neue Galerie Graz. With an essay by Andreas Spiegl and a conversation between the artist and Domen Ograjensek.00Exhibition: Neue Galerie Graz, Austria (15.06.-19.08.2018).
600 10 $aPrutsch, Nicole$vExhibitions.
650 0 $aPhotocollage$vExhibitions.
650 0 $aVideo installations (Art)$vExhibitions.
650 7 $aPhotocollage.$2fast$0(OCoLC)fst01061527
650 7 $aVideo installations (Art)$2fast$0(OCoLC)fst01747580
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aOgranjenšek, Domen,$ewriter of supplementary textual content.
700 1 $aSpiegl, Andreas,$d1964-$ewriter of supplementary textual content.
700 12 $aPrutsch, Nicole.$tWorks.$kSelections.
710 2 $aNeue Galerie am Landesmuseum Joanneum,$ehost institution.
852 00 $boff,fax$hTR685$i.P78 2020g