MARC Record from marc_columbia

LEADER: 03945cam a2200577Ii 4500
001 15588515
005 20210811150320.0
008 210213t20202020gw ach bc 000 0 eng d
035 $a(OCoLC)on1237549421
040 $aOHX$beng$erda$cOHX$dJPG$dOCLCO$dJPG$dOCLCF$dYDX$dOCLCO
016 7 $a121843287X$2DE-101
020 $a9783775748377$qpaperback
020 $a3775748377$qpaperback
024 3 $a9783775748377
035 $a(OCoLC)1237549421
041 0 $aeng$ager
043 $acl-----
050 4 $aN6502.5$b.T6615 2020
072 7 $aN$2lcco
082 04 $a709.8/0744945726$223
049 $aZCUA
245 00 $aTools for utopia :$bselected works from the Daros Latinamerica collection /$ceditors, Martha Dziewánska, Nina Zimmer, Kunstmuseum Bern.
264 1 $aBerlin :$bHatje Cantz,$c[2020]
264 4 $c©2020
300 $a92 pages :$billustrations (some color), facsimiles, portraits ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTitle from cover.
504 $aIncludes bibliographical references.
520 $aTools for Utopia: Selected works from the Daros Latinamerica Collection is an exhibition of works from the 1950s to the late 1970s by artists from Brazil, Venezuela, Uruguay, and Argentina: Gego, Hélio Oiticica, Carlos Cruz-Diez, Jesús Rafael Soto, Mira Schendel, Liliana Porter, Julio Le Parc, and Ana Mendieta. Created when many Latin American coun-tries were in conflict and ruled by dictators, these works? Concrete, Neo-Concrete, Conceptual?were means of transgression. They were not only created as reactions but as artistic counter-proposals to totalitarian systems: signs of genuine engagement and experiments that included in-gredients of social and political utopia. The exhibition and the accompanying publication are conceived as ?tools,? re-ferring to the efforts of the artists to transcend representa-tion and become active agents for societal transformation. By displaying historical alongside contemporary work, and by presenting historical manifestos alongside recent con-versations with the artists, the project examines the ways in which the urge to ?actively inhabit the present? is contin-ued, further complicated, and questioned by artists of the following generations. Tools for Utopia asks to what extent such Latin American art movements acted as catalysts for the cultural, social, and political imagination. What do these ideas and hopes stand for today? The exhibition and cata-logue expound bold visions of art, politics, and subjectivity that are particularly relevant for today?s tensions in Latin America and beyond.00Exhibition: Kunstmuseum Bern, Switzerland (30.10.2020 - 21.03.2021).
546 $aTexts in English and German.
585 $aCatalog of an exhibition held at the Kunstmuseum Bern, October 30, 2020 - March 21, 2021.
610 20 $aDaros-Latinamerica (Art Collection)$vExhibitions.
650 0 $aArt$y20th century$xPrivate collections$zLatin America$zSwitzerland$zZurich$vExhibitions.
650 0 $aArt$y21st century$xPrivate collections$zLatin America$zSwitzerland$zZurich$vExhibitions.
650 0 $aPolitics in art$vExhibitions.
650 0 $aSocial problems in art$vExhibitions.
650 0 $aArt, Modern$y20th century$vExhibitions.
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
651 7 $aLatin America.$2fast$0(OCoLC)fst01245945
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aDziewánska, Martha,$eeditor.
700 1 $aZimmer, Nina,$d1973-$eeditor.
710 2 $aKunstmuseum Bern,$ehost institution,$eeditor.
730 02 $iContains (expression):$aTools for utopia.
730 02 $iContains (expression):$aTools for utopia.$lGerman.
852 00 $boff,fax$hN6502.5$i.T6615 2020g