MARC Record from marc_columbia

LEADER: 05780cam a2200805 i 4500
001 15591285
005 20220423235733.0
006 m o d
007 cr |||||||||||
008 210301t20212021enka ob 001 0 eng
010 $a 2021008557
035 $a(OCoLC)on1240828457
035 $a(NNC)15591285
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dUKAHL$dTYFRS$dUKMGB$dYDX$dOCLCO$dN$T$dOCLCO
015 $aGBC180928$2bnb
016 7 $a020202951$2Uk
020 $a9781003185130$qelectronic book
020 $a1003185134$qelectronic book
020 $a1000405338$qelectronic book
020 $a9781000405347$qelectronic book
020 $a1000405346$qelectronic book
020 $a9781000405330$q(electronic bk.)
020 $z9781032027784$qpaperback
020 $z9781472440310$qhardcover
024 7 $a10.4324/9781003185130$2doi
035 $a(OCoLC)1240828457
037 $a9781003185130$bTaylor & Francis
042 $apcc
043 $ae-fr---
050 04 $aN8217.E88$bK45 2021
072 7 $aART$x000000$2bisacsh
072 7 $aACV$2bicssc
082 00 $a709.2/52$223
049 $aZCUA
100 1 $aKelly, Mary$c(Art historian),$eauthor.
245 10 $aFrench women orientalist artists, 1861-1956 :$bcross-cultural contacts and depictions of difference /$cMary Kelly.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2021.
264 4 $c©2021
300 $a1 online resource (xv, 230 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge research in gender and art
504 $aIncludes bibliographical references and index.
505 0 $aMarie Élisabeth Aimée Lucas-Robiquet (1858-1959): interior depictions of Maghrebi weavers -- Interior representations of Maghrebi women -- Describing the Maghrebi exterior: women Orientalists' depictions of life and landscape -- Modernism in the works of French women Orientalists.
520 $a"This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists' cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary 'open platform of discussion' approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women's painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land-all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made 'ethnographic' scenes. Kelly argues that French women's perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women's socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women's art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the History of Art, Gender Studies, History, and Middle Eastern and North African Studies"--$cProvided by publisher.
545 0 $aMary Kelly (née Healy) is a Lecturer in Art History, Theory and Gallery Studiesand Director of the MA in Global Gallery Studies at University College Cork, Ireland. She is also a Research Associate at the Centre for Gender and Women's Studies, Trinity College Dublin.
588 $aDescription based on online resource; title from digital title page (viewed on September 01, 2021).
650 0 $aOrientalism in art.
650 0 $aWomen artists$zFrance$xHistory$y19th century.
650 0 $aWomen artists$zFrance$xHistory$y20th century.
650 0 $aNorth Africans in art.
650 0 $aWomen in art.
650 6 $aOrientalisme dans l'art.
650 6 $aFemmes artistes$zFrance$xHistoire$y19e siècle.
650 6 $aFemmes artistes$zFrance$xHistoire$y20e siècle.
650 6 $aFemmes dans l'art.
650 7 $aART / General$2bisacsh
650 7 $aNorth Africans in art.$2fast$0(OCoLC)fst01039176
650 7 $aOrientalism in art.$2fast$0(OCoLC)fst01048141
650 7 $aWomen artists.$2fast$0(OCoLC)fst01177159
650 7 $aWomen in art.$2fast$0(OCoLC)fst01177826
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
648 7 $a1800-1999$2fast
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aKelly, Mary (Art historian).$tFrench women orientalist artists, 1861-1956$dAbingdon, Oxon ; New York : Routledge, 2021.$z9781032027784$w(DLC) 2021008556
830 0 $aRoutledge research in gender and art.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15591285$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS