MARC Record from marc_columbia

LEADER: 04490cam a2200373 i 4500
001 15591591
005 20210913084619.0
008 151014s2020 cl a b 000 0 eng d
035 $a(OCoLC)on1262661949
040 $aH7K$beng$erda$cH7K$dOCLCO$dIQU$dNNC
035 $a(OCoLC)1262661949
050 4 $aNX534.Z9$bL472 2020
049 $aZCUA
100 1 $aLeppe, Carlos,$d1952-$eartist.
240 10 $aWorks.$kSelection
245 10 $aSala de espera :$binstalación : Carlos Leppe, Noviembre 1980 /$c[texto : Justo Pastor Mellado].
250 $aPrimera edición.
264 $aSantiago de Chile :$bFundación CEdA,$c2020.
300 $a31 pages :$billustrations ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aDocumento CEdA ;$v2
500 $aEach issue also has a theme title.
504 $aIncludes bibliographical references (page 32].
500 $aSala de espera: Carlos Leppe / Justo Pastor Mellado.
520 $aSala de Espera (Waiting Room) is an installation built by Carlos Leppe in November 1980, and is composed of three mini-installations, known as (I) Las Cantatrices (The Opera Singers), (II) La Portada (The Cover) and (III) El Título (The Title) (See Site Map). The first Las Cantatrices refers to four television monitors. The first three play a film of Leppe in make-up, his torso enveloped in plaster, as he lip-syncs an operatic aria through the physical intervention of an orthopedist dental apparatus, which keeps his mouth open. The fourth monitor, positioned to face the first three, plays a film of Leppeœs mother telling stories about her sonœs life. The second La Portada consists of three parts: a) a reproduction of the cover design for the book Cuerpo correccional (Correctional body), which features the door to Leppeœs childhood home, the steps lit by fluorescent tubes; b) a projected photograph of Leppe with his mother in a park; and c) bundles of soil, wrapped in clear plastic sheeting, reminiscent of bodies recently exhumed. The third El Título brings together three final elements: a television on mute, which shows footage of the broadcast by the national TV channel; a mud block the size of a television, the interior of which holds a protective panel, forming a window that displays an image of the Immaculate Conception; and finally, the title of the work, written in neon letters. In addition to these three scenes, Leppe distributes a network of fluorescent tubes across the floor and walls of the room, about twenty in total.
520 $aSala de Espera (Waiting Room) is an installation built by Carlos Leppe in November 1980, and is composed of three mini-installations, known as (I) Las Cantatrices (The Opera Singers), (II) La Portada (The Cover) and (III) El Título (The Title) (See Site Map). The first Las Cantatrices refers to four television monitors. The first three play a film of Leppe in make-up, his torso enveloped in plaster, as he lip-syncs an operatic aria through the physical intervention of an orthopedist dental apparatus, which keeps his mouth open. The fourth monitor, positioned to face the first three, plays a film of Leppeœs mother telling stories about her sonœs life. The second La Portada consists of three parts: a) a reproduction of the cover design for the book Cuerpo correccional (Correctional body), which features the door to Leppeœs childhood home, the steps lit by fluorescent tubes; b) a projected photograph of Leppe with his mother in a park; and c) bundles of soil, wrapped in clear plastic sheeting, reminiscent of bodies recently exhumed. The third El Título brings together three final elements: a television on mute, which shows footage of the broadcast by the national TV channel; a mud block the size of a television, the interior of which holds a protective panel, forming a window that displays an image of the Immaculate Conception; and finally, the title of the work, written in neon letters. In addition to these three scenes, Leppe distributes a network of fluorescent tubes across the floor and walls of the room, about twenty in total.
546 $aIn English.
600 10 $aLeppe, Carlos,$d1952-$xCriticism and interpretation.
700 1 $aMellado, Justo Pastor,$d1949-$ewriter of supplementary textual content.
710 2 $aD21 Galería de Arte (Santiago, Chile),$eissuing body.
830 0 $aDocumento CEdA ;$v2.
852 00 $boff,fax$hNX534.Z9$iL472 2020g