MARC Record from marc_columbia

LEADER: 04019cam a2200589Ii 4500
001 15594869
005 20210819150112.0
008 210320t20192019gw ach bc 000 0 ger d
035 $a(OCoLC)on1242599680
040 $aOHX$beng$erda$cOHX$dJPG$dOCLCO$dOCLCF
016 7 $a1213996716$2DE-101
020 $a9783862068395$q(corrected ;$qpaperback)
020 $a3862068390
024 3 $a9783862068395
035 $a(OCoLC)1242599680
041 0 $ager$aeng
043 $aee-----
050 4 $aNX456.5.P38$bA78 2019
072 7 $aN$2lcco
072 7 $aJA$2lcco
245 00 $aArtists & agents :$bperformance art and secret services = Performancekunst und Geheimdienste /$cHerausgeber*innen, Inke Arns, Kata Krasznahorkai, Sylvia Sasse ; Texte, Inke Arns, Kata Krasznahorkai, Sylvia Sasse.
246 30 $aPerformance art and secret services
246 30 $aPerformancekunst und Geheimdienste
250 $a1. Auflage.
264 1 $aDortmund :$bVerlag Kettler,$c[2019]
264 4 $c©2019
300 $a218 pages :$billustrations (some color), facsimiles, portraits ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 0 $aHMKV Ausstellungsmagazin,$x2629-2629 ;$v2019/2
500 $aISBN missing in book.
504 $aIncludes bibliographical references.
520 8 $aSubversion does not belong to anyone. It can come from artists who outwit the state or from intelligence agencies who infiltrate the art scene on behalf of the state. But what happens when the two sides meet? After the old state security archives in many Eastern European countries were opened, it became possible for this interaction to be studied in detail. Drawing on scientific essays and artistic contributions, the book shows how the secret police monitored happenings, performance art, and action art and looks at the debates they had about the new art form; it also demonstrates not only how the police documented artistic actions in detail using forensic techniques but also how they manipulated them and sought to thwart them with counter-actions. In addition to this, the book also reveals how artists dealt with the possibility that they were being observed by the secret police and how they now work with the material stored in the archives maintained by the intelligence services.0Kata Krasznahorkai is a curator and research assistant on the ERC project "Performance Art in Eastern Europe 1950?1990: History and Theory" at the University of Zurich's Slavisches (Slavonic) Seminar.0Sylvia Sasse, author and curator, is professor of Slavonic Literature at the University of Zurich and heads the ERC project "Performance Art in Eastern Europe 1950?1990: History and Theory".00Exhibition: Hartware MedienKunstVerein, Dortmund, Germany (26.10.2019 - 23.02.2020).
546 $aParallel texts in English and German.
585 $aCatalog of an exhibition held at the HMKV (Hartware Medienkunstverein), October 26, 2019 - March 22, 2020.
650 0 $aPerformance art$zEurope, Eastern$xHistory$y20th century$vExhibitions.
650 0 $aIntelligence service$zEurope, Eastern$xHistory$y20th century$vExhibitions.
650 0 $aSurveillance in art$vExhibitions.
650 7 $aIntelligence service.$2fast$0(OCoLC)fst00975848
650 7 $aPerformance art.$2fast$0(OCoLC)fst01057852
650 7 $aSurveillance in art.$2fast$0(OCoLC)fst02009993
651 7 $aEastern Europe.$2fast$0(OCoLC)fst01245079
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aArns, Inke,$eeditor,$ewriter of supplementary textual content.
700 1 $aKrasznahorkai, Kata,$eeditor,$ewriter of supplementary textual content.
700 1 $aSasse, Sylvia,$eeditor,$ewriter of supplementary textual content.
710 2 $aHartware MedienKunstVerein,$ehost institution.
852 00 $boff,fax$hNX456.5.P38$iA78 2019g