| Record ID | marc_columbia/Columbia-extract-20221130-032.mrc:43600159:1701 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:43600159:1701?format=raw |
LEADER: 01701cam a2200397Ii 4500
001 15602321
005 20210921192315.0
008 200519s2020 enkag b 100 0 eng d
035 $a(OCoLC)on1154555064
040 $aYDX$beng$erda$cYDX$dUKMGB$dOCLCO$dOCLCF$dYDXIT$dIUL$dOCLCO$dOBE
015 $aGBC0C4885$2bnb
016 7 $a019898043$2Uk
020 $a9781527550384$qhardcover
020 $a1527550389$qhardcover
035 $a(OCoLC)1154555064
050 4 $aMT6$b.M87 2020
050 4 $aMT6$b.M9635 2020
082 04 $a781$223
049 $aZCUA
245 00 $aMusical waves :$bwest coast perspectives of pitch, narrative, and form /$cedited by Andrew Aziz and Jack Boss.
264 1 $aNewcastle upon Tyne, UK :$bCambridge Scholars Publishing,$c2020.
300 $aix, 196 pages :$billustrations (black and white), music;$c21 cm
336 $atext$btxt$2rdacontent
336 $anotated music$bntm$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"This volume draws together papers delivered at the 2018 meeting of the West Coast Conference of Music Theory and Analysis"--Back cover.
500 $a"Drawn from papers presented at our 2018 meeting at San Diego State University"--Page vii.
504 $aIncludes bibliographical references.
650 0 $aMusic theory$vCongresses.
650 7 $aMusic theory$2fast$0(OCoLC)fst01030620
655 7 $aConference papers and proceedings$2fast$0(OCoLC)fst01423772
700 1 $aAziz, Andrew,$d1985-$eeditor.
700 1 $aBoss, Jack Forrest,$eeditor.
711 2 $aWest Coast Conference of Music Theory and Analysis$d(2018 :$cSan Diego State University)
852 00 $bmus$hMT6$i.M9635 2020g