MARC Record from marc_columbia

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020 $a9780429281655$qelectronic book
020 $a042928165X$qelectronic book
020 $a9781000289527$qelectronic book
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024 7 $a10.4324/9780429281655$2doi
035 $a(OCoLC)1252403249$z(OCoLC)1224578577$z(OCoLC)1228889009
037 $a9780429281655$bTaylor & Francis
050 4 $aML315.2$b.R49 2021
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082 04 $a780.89927$223
049 $aZCUA
100 1 $aReynolds, Dwight Fletcher,$d1956-$eauthor.
245 14 $aThe musical heritage of Al-Andalus /$cDwight F. Reynolds.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, Taylor & Francis Group,$c2021.
264 4 $c©2021
300 $a1 online resource (xiii, 260 pages) :$billustrations.
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337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aSOAS studies in music
504 $aIncludes bibliographical references (pages 236-254) and index.
505 0 $aMusic in Iberia and the Mashriq up to 711. Music in Iberia to 711 ; Arab music to 711 -- Andalusi Music to the Fall of the Umayyad Caliphate, 711-1031. From the conquest to the reign of 'Abd al-Raḥmān II, 711-822 ; 'Abd al-Raḥmān II and Ziryāb, 822-858 ; The final years of the Caliphate, 858-1031 -- Music in the Medieval Mediterranean. Instrumentarium ; Music Theory and Performance Practices ; The Musical Revolution in al-Andalus. From Ṣawt to Muwashshaḥ ; Hebrew Muwashshaḥāt -- Post-Umayyad Iberia (11th-17th c.). The Era of the 'Petty Kings,' Almoravids, and Almohads (11th-12th c.) ; The Age of Minstrels (13th -15th c.) ; Music of the Moriscos (16th-17th c.)
520 $aThe Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution -- music -- has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.--$cProvided by publisher.
545 0 $aDwight F. Reynolds is Professor of Arabic Language and Literature at the University of California, Santa Barbara, and author of numerous publications.
588 0 $aPrint version record.
650 0 $aMusic$zSpain$y500-1400$xHistory and criticism.
650 0 $aMusic$zSpain$yTo 1500$xHistory and criticism.
650 0 $aMusic$zSpain$y16th century$xHistory and criticism.
650 0 $aMusic$zSpain$y17th century$xHistory and criticism.
650 0 $aMuslims$zSpain$xMusic$xHistory and criticism.
650 0 $aArabs$zSpain$xMusic$xHistory and criticism.
650 7 $aMUSIC / General$2bisacsh
776 08 $iPrint version:$aReynolds, Dwight Fletcher, 1956-$tMusical heritage of Al-Andalus.$dAbingdon, Oxon ; New York, NY : Routledge, Taylor & Francis Group, 2021$z9780367243142$w(DLC) 2020031655$w(OCoLC)1198989439
830 0 $aSOAS studies in music.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15611756$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS