MARC Record from marc_columbia

LEADER: 04744cam a2200445 i 4500
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005 20210909103541.0
008 170825s2017 miua b 001 0 eng d
010 $a 2017296561
035 $a(OCoLC)ocn979260987
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019 $a985877568$a986131020$a986377317$a986650664
020 $a9781607854005$qpaperback
020 $a1607854007$qpaperback
020 $z9781607854012
024 8 $a99977646117
035 $a(OCoLC)979260987$z(OCoLC)985877568$z(OCoLC)986131020$z(OCoLC)986377317$z(OCoLC)986650664
042 $alccopycat
050 00 $aTK5105.887$b.L68 2017
082 04 $a384.5502854678$223
049 $aZCUA
100 1 $aLotz, Amanda D.,$d1974-$eauthor.
245 10 $aPortals :$ba treatise on internet-distributed television /$cAmanda D. Lotz.
264 1 $a[Ann Arbor, Mich.] :$bMaize Books, an imprint of Michigan Publishing,$c[2017]
300 $avii, 99 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Television audiences and its industry alike have been confused by the emergence of new ways to watch television. On one hand, the programs seem every bit like the television we've long known, while the way we can watch, what we can watch, and the business models supporting them differ significantly. Portals: A Treatise on Internet-Distributed Television pushes understandings of the business of television to keep pace with the considerable technological change of the last decade. It explains why shows such as Orange is the New Black or Transparent are indeed television despite coming to screens over internet connection and in exchange for a monthly fee. It explores how internet-distributed television is able to do new things - particularly, allow different people to watch different shows chosen from a library of possibilities. This technological ability allows new audience behaviors and new norms in making television. Portals are the "channels" of internet-distributed television, and Portals identifies how the task of curating a library of shows differs from channels' task of building a schedule. It explores the business model--subscriber funding--that supports many portals, and identifies the key differences from advertiser or direct purchase. Portals considers what we know about the future of television, even though we remain early in a process of transformative change."--$cProvided by publisher.
520 $a"Television audiences and its industry alike have been confused by the emergence of new ways to watch television. On one hand, the programs seem every bit like the television we've long known, while the way we can watch, what we can watch, and the business models supporting them differ significantly. 'Portals: A Treatise on Internet-Distributed Television' pushes understandings of the business of television to keep pace with the considerable technological change of the last decade. It explains why shows such as 'Orange is the New Black' or 'Transparent' are indeed television despite coming to screens over internet connection and in exchange for a monthly fee. It explores how internet-distributed television is able to do new things - particularly, allow different people to watch different shows chosen from a library of possibilities. This technological ability allows new audience behaviors and new norms in making television. Portals are the 'channels' of internet-distributed television, and 'Portals' identifies how the task of curating a library of shows differs from channels' task of building a schedule. It explores the business model--subscriber funding--that supports many portals, and identifies the key differences from advertiser or direct purchase. 'Portals' considers what we know about the future of television, even though we remain early in a process of transformative change."--Page 4 of printed paper wrapper.
540 $a"This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ ..."--Title page verso.
650 0 $aInternet television.
650 0 $aTelevision$xTechnological innovations.
650 0 $aInternet$xSocial aspects.
650 7 $aPerforming Arts.$2eflch
650 7 $aInternet$xSocial aspects.$2fast$0(OCoLC)fst01766793
650 7 $aTelevision$xTechnological innovations.$2fast$0(OCoLC)fst01146627
650 7 $aPerforming Arts.$2ukslc
852 00 $bmil$hTK5105.887$i.L68 2017