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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-032.mrc:51601516:3244
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:51601516:3244?format=raw

LEADER: 03244cam a2200457Ii 4500
001 15625541
005 20220301125051.0
008 200321t20212021nyua e b 000 0 eng d
024 $a99989442624
035 $a(OCoLC)on1145262334
040 $aYDX$beng$erda$cYDX$dOCLCQ$dUKMGB$dOCLCO$dOCLCF$dWCFLS$dCMA$dBKL$dOCLCO
020 $a0500545421
020 $a9780500545423
035 $a(OCoLC)1145262334
050 4 $aTR654$b.C3684 2021
082 04 $a779.9944361081092$223
245 00 $aHenri Cartier-Bresson :$bParis revisited /$cedited by Anne de Mondenard and Agnès Sire.
246 30 $aParis revisited
264 1 $aNew York, New York :$bThames & Hudson,$c[2021]
264 4 $c©2021
300 $a255 pages :$billustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTranslated from the French Henri Cartier-Bresson: Revoir Paris by Ruth Taylor and Jill Phythian.
504 $aIncludes bibliographical references.
505 0 $aThe bow and the arrow / Agnès Sire -- The restless wanderer / Anne de Mondenard -- Paris, the artistic crucible -- Professional engagement -- The liberation of Paris -- Portraits--Act I -- A geometrician of life -- Portraits--Act II -- An eye for rebellion -- A change of direction -- Drawing conclusions -- Portraits--Act III -- List of exhibited works and documents.
520 $aHenri Cartier-Bresson (1908-2004) was "the eye of the 20th century" and one of the world's most acclaimed photographers. Paris was his home, on and off, for most of his life and the photographs he took of the city and its people are some of his most recognizable and beloved images. In this volume are 160 photographs taken from a career lasting more than fifty years. Mostly in black and white, this selection reveals the strong influence of pioneering documentary photographer Eugene Atget (1857-1927) on Cartier-Bresson, and the clear visual links with surrealism that infused his early pictures. After an apprenticeship with cubist painter Andř Lhote in 1932, Cartier-Bresson bought his first Leica, a small portable camera that allowed him to capture the movement and rhythms of daily life in Paris. Camera in hand, Cartier-Bresson observed the Liberation from the Nazis in August 1944 from close quarters and the civil disturbances of May 1968. For decades he also thrived in capturing native Parisians going about their lives in the city, as well as photographing celebrated artists, writers, politicians, and anonymous citizens.
600 10 $aCartier-Bresson, Henri,$d1908-2004.
651 0 $aParis (France)$xHistory$y20th century$vPictorial works.
600 17 $aCartier-Bresson, Henri,$d1908-2004$2fast$0(OCoLC)fst00019594
651 7 $aFrance$zParis$2fast$0(OCoLC)fst01205283
648 7 $a1900-1999$2fast
655 7 $aHistory$2fast$0(OCoLC)fst01411628
655 7 $aPictorial works$2fast$0(OCoLC)fst01423874
700 12 $aCartier-Bresson, Henri,$d1908-2004.$tWorks.$kSelections.
700 1 $aMondenard, Anne de,$eeditor.
700 1 $aSire, Agnès,$eeditor.
852 00 $bglx$hTR654$i.C3684 2021g
852 00 $boff,fax$hTR654$i.C3684 2021g