Record ID | marc_columbia/Columbia-extract-20221130-032.mrc:5399640:3597 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:5399640:3597?format=raw |
LEADER: 03597cam a2200553 i 4500
001 15514668
005 20210625144918.0
008 201008s2021 enkaf b 001 0 eng
010 $a 2020045924
035 $a(OCoLC)on1200834304
040 $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dOCLCF$dYDX$dUKMGB$dYDX$dOCLCO
015 $aGBC114437$2bnb
016 7 $a020096029$2Uk
019 $a1102108511
020 $a9781501343797$qhardback
020 $a1501343793$qhardback
020 $z9781501343803$q(epub)
020 $z9781501343810$q(pdf)
029 1 $aUKMGB$b020096029
035 $a(OCoLC)1200834304$z(OCoLC)1102108511
042 $apcc
043 $ae-fr---
050 00 $aND553.R675$bK45 2021
082 00 $a759.4$223
049 $aZCUA
100 1 $aKelly, Simon$q(Simon R.),$eauthor.
245 10 $aThéodore Rousseau and the rise of the modern art market :$ban avant-garde landscape painter in nineteenth-century France /$cSimon Kelly.
263 $a2104
264 1 $aLondon :$aNew York :$bBloomsbury Visual Arts,$c[2021]
300 $axviii, 250 pages , 8 unnumbered pages of plates :$billustrations (some color) ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aContextualizing art markets
520 $a"The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $a"The outlaw" : Rousseau at the Salon -- Alternative spaces : Artists' societies to the Cercle de l'Union Artistique -- "A small number of the privileged : the patrons -- The art dealers : Adolphe Beugniet to Paul Durand-Ruel -- "This dangerous game" : the auction sale -- The reproduction industry : from etching to photography -- Rousseau's legacy.
600 10 $aRousseau, Théodore,$d1812-1867$xCriticism and interpretation.
650 0 $aArtists$xSocial networks$zFrance$xHistory$y19th century.
650 0 $aArt$xEconomic aspects$zFrance$xHistory$y19th century.
600 17 $aRousseau, Théodore,$d1812-1867.$2fast$0(OCoLC)fst00222753
650 7 $aArt$xEconomic aspects.$2fast$0(OCoLC)fst00815231
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
648 7 $a1800-1899$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aKelly, Simon (Simon R.)$tThéodore Rousseau and the rise of the modern art market$dNew York : Bloomsbury Visual Arts, 2021$z9781501343803$w(DLC) 2020045925
830 0 $aContextualizing art markets.
852 00 $bfaxlc$hND553.R675$iK45 2021