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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-032.mrc:81557163:2873
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-032.mrc:81557163:2873?format=raw

LEADER: 02873cam a2200421 i 4500
001 15665176
005 20211014154914.0
008 210301t20222022eg a b 001 0 eng
010 $a 2021009277
024 $a60002436194
035 $a(OCoLC)on1226397815
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dERASA$dUKMGB$dYDX
020 $a9781350166653$qhardback
020 $a1350166650$qhardback
020 $z9781350166660$q(epub)
020 $z9781350166677$q(pdf)
035 $a(OCoLC)1226397815
042 $apcc
050 00 $aNC95$b.G73 2022
082 00 $a741$223
100 1 $aGraham, Joe$c(Lecturer in drawing),$eauthor.
245 10 $aSerial drawing :$bspace, time and the art object /$cJoe Graham.
264 1 $aLondon ;$aNew York :$bBloomsbury Visual Arts,$c2022.
264 4 $c©2021
300 $avii, 203 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aDrawing in
520 $a"Serial Drawing offers a timely and rigorous exploration of a relatively little-researched art form. Serial drawings - artworks that are presented as singular works but are made up of distributed parts - are studied in fresh, contemporary terms with a novel philosophical approach, emphasizing both the way in which this unique form of visual art exists in the world, and how it is encountered by the beholder. Inspired by the quadruple framework of Graham Harman's object-oriented ontology, Joe Graham explores a variety of serial drawings according to the idea that, in being serially arrayed, such artworks constitute a rather particular form of art object: one which is both unified yet pluralised, visible yet withdrawn. Examining works by artists such as Alexei Jawlensky, Ellsworth Kelly, Hanne Darboven, Jill Baroff and Stefana McClure, Graham interrogates the manner in which serial drawings are able to be appreciated by the viewer who beholds them in object-oriented terms. This task is carried out by paying attention to the manner in which three tensions - space, time and seriality -emerge for consideration within the beholders performative encounter with the work: an encounter which is 'seen serially', and which the medium of drawing specifically directs their attention towards"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aA history of definitions -- An object-oriented approach -- Serial drawing -- Conclusion: Seeing serially.
650 0 $aSerial drawing.
650 0 $aArt$xPhilosophy.
650 7 $aArt$xPhilosophy.$2fast$0(OCoLC)fst00815307
776 08 $iOnline version:$aGraham, Joe (Lecturer in drawing).$tSerial drawing$dLondon ; New York : Bloomsbury Visual Arts, 2021$z9781350166660$w(DLC) 2021009278
830 0 $aDrawing in.
852 00 $boff,fax$hNC95$i.G73 2022