MARC Record from marc_columbia

LEADER: 03471cam a2200529Ma 4500
001 15670719
005 20211016231909.0
006 m o d
007 cr cn|||||||||
008 160701r20162011enkag ob 001 0 eng d
035 $a(OCoLC)ocn952729966
035 $a(NNC)15670719
040 $aTYFRS$beng$epn$cTYFRS$dOCLCO$dOCLCF$dOCLCQ$dAU@$dOCLCQ$dVT2
019 $a1082251463
020 $a9781315598970$q(e-book ;$qPDF)
020 $a1315598973$q(e-book ;$qPDF)
020 $a9781317085409$q(e-book ;$qMobi)
020 $a131708540X
020 $a9781317085416$q(e-book ;$qePub)
020 $a1317085418
020 $z9780754669890$q(hardback)
020 $z9781138250826$q(paperback)
024 7 $a10.4324/9781315598970$2doi
035 $a(OCoLC)952729966$z(OCoLC)1082251463
050 4 $aML1700$b.O64 2016
082 14 $a782.1089$bO614
049 $aZCUA
245 00 $aOpera indigene :$bre/presenting First Nations and indigenous cultures /$cedited by Pamela Karantonis and Dylan Robinson.
260 $aLondon ;$aNew York :$bRoutledge,$c2016.
300 $a1 online resource (xxvi, 357 pages) :$billustrations, music
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate interdisciplinary studies in opera
500 $aOriginally published 2011 by Ashgate Publishing.
504 $aIncludes bibliographical references (pages 337-345) and index.
505 0 $apt. 1. Critical and comparative contexts : opera's colonizing force and decolonizing potential -- pt. 2. Australian perspectives -- pt. 3. Indianism in the Americas -- pt. 4. Canadian perspectives -- pt. 5. New creation and collaborative processes.
520 8 $aAnnotation$bThe representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, however, have received far less attention. Opera Indigene takes this subject as its focus, addressing the changing historical depictions of Indigenous cultures in opera and the more contemporary practices of Indigenous and First Nations artists. The use of 're/presenting' in the title signals an important distinction between how representations of Indigenous identity have been constructed in operatic history and how Indigenous artists have more recently utilized opera as an interface to present and develop their cultural practices.This volume explores how operas on Indigenous subjects reflect the evolving relationships between Indigenous peoples, the colonizing forces of imperial power, and forms of internal colonization in developing nation-states. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada, the Americas and Australia in a stimulating comparative study of operatic re/presentation.
650 0 $aIndigenous peoples in opera.
650 7 $aIndigenous peoples in opera.$2fast$0(OCoLC)fst01763646
655 4 $aElectronic books.
700 1 $aKarantonis, Pamela.
700 1 $aRobinson, Dylan.
776 08 $iPrint version:$z9780754669890$w(DLC) 2010038450
830 0 $aAshgate interdisciplinary studies in opera.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15670719$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS