MARC Record from marc_columbia

LEADER: 06171cam a2201021Mu 4500
001 15671297
005 20220326232913.0
006 m o d
007 cr cnu---unuuu
008 180922s2018 xx o 000 0 eng d
035 $a(OCoLC)on1054061683
035 $a(NNC)15671297
040 $aEBLCP$beng$epn$cEBLCP$dNLE$dUKMGB$dTYFRS$dAU@$dUKAHL$dOCLCF$dOCLCO$dUWO$dOCLCQ$dOCLCO$dOCLCQ$dOTZ$dTYFRS$dOCLCQ$dOCL$dZCU$dOCLCQ$dVHC$dOCLCO
015 $aGBB8D7635$2bnb
016 7 $a018989053$2Uk
019 $a1110605151$a1303458885
020 $a9781315463087
020 $a1315463083
020 $a9781315463070
020 $a1315463075
020 $a9781315463063
020 $a1315463067
020 $a9781315463094
020 $a1315463091
020 $a1138207101
020 $a9781138207103
020 $z9781138207103$q(hbk.)
024 7 $a10.4324/9781315463094$2doi
035 $a(OCoLC)1054061683$z(OCoLC)1110605151$z(OCoLC)1303458885
037 $a9781315463070$bIngram Content Group
050 4 $aML178
082 04 $a785.2609031$223
049 $aZCUA
100 1 $aRodríguez-García, Esperanza.
245 10 $aMapping the Motet in the Post-Tridentine Era
260 $aMilton :$bRoutledge,$c2018.
300 $a1 online resource (304 pages)
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aPrint version record.
505 0 $aCover; Title; Copyright; Contents; List of figures; Music examples; List of tables; List of contributors; Abbreviations; Acknowledgements; The motet in the post-Tridentine world: an introduction; 1 Proper to the day: calendrical ordering in post-Tridentine motet books; 2 Motets, Vespers antiphons and the performance of the post-Tridentine liturgy in Italy; 3 Motets and the liturgy for the Dead in Italy: text typologies and contexts of performance; 4 Motets pro defunctis in the Iberian world: texts and performance contexts
505 8 $a5 Palestrina's mid-life compositional summary: the three motet books of 1569-756 Modality as orthodoxy and exegesis: strategies of tonal organisation in Victoria's motets; 7 Beyond the denominational paradigm: the motet as confessional(ising) practice in the later sixteenth century; 8 In search of the English motet; 9 Songs without words: the motet as solo instrumental music after Trent; 10 The soundtrack for a miracle and other stories of the motet from post-Tridentine Milan; 11 Mapping the motet in post-Tridentine Seville and Granada: repertoire, meanings and functions; Index of names
500 $aIndex of musical prints
520 3 $aMapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre's rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).
504 $aIncludes bibliographical references and indexes.
650 0 $aMotets$y16th century$xHistory and criticism.
650 0 $aSacred vocal music$y16th century$xHistory and criticism.
650 0 $aChurch music$xCatholic Church$y16th century.
650 0 $aChurch music$xCatholic Church.
650 0 $aMotets.
650 0 $aSacred vocal music.
650 6 $aMotets$y16e siècle$xHistoire et critique.
650 6 $aMusique vocale sacrée$y16e siècle$xHistoire et critique.
650 6 $aMusique d'église$xÉglise catholique$y16e siècle.
650 6 $aMusique d'église$xÉglise catholique.
650 6 $aMotets.
650 6 $aMusique vocale sacrée.
650 7 $aEnglish music.$2bisacsh
650 7 $aearly modern music.$2bisacsh
650 7 $ahistorical musicology.$2bisacsh
650 7 $aItalian music.$2bisacsh
650 7 $aliturgical music.$2bisacsh
650 7 $amotet.$2bisacsh
650 7 $amotets.$2bisacsh
650 7 $amusicology.$2bisacsh
650 7 $amusic history.$2bisacsh
650 7 $aPalestrina.$2bisacsh
650 7 $aRenaissance music.$2bisacsh
650 7 $aSpanish music.$2bisacsh
650 7 $asacred music.$2bisacsh
650 7 $aseventeenth century music.$2bisacsh
650 7 $asixteenth century music.$2bisacsh
650 7 $avocal music.$2bisacsh
650 7 $a16th century music.$2bisacsh
650 7 $a17th century music.$2bisacsh
650 7 $aChurch music$xCatholic Church.$2fast$0(OCoLC)fst00860816
650 7 $aMotets.$2fast$0(OCoLC)fst01026871
650 7 $aSacred vocal music.$2fast$0(OCoLC)fst01103213
648 7 $a1500-1599$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aFilippi, Daniele V.
776 08 $iPrint version:$aRodríguez-García, Esperanza.$tMapping the Motet in the Post-Tridentine Era.$dMilton : Routledge, ©2018$z9781138207103
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15671297$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS