MARC Record from marc_columbia

LEADER: 04388cam a2200661 i 4500
001 15672152
005 20211218230950.0
006 m o d
007 cr cnu---unuuu
008 210421t20222022nyua ob 001 0 eng
010 $a 2021012832
035 $a(OCoLC)on1248598385
035 $a(NNC)15672152
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dYDX$dUKMGB$dTYFRS$dUKAHL$dYDX
015 $aGBC1B5677$2bnb
016 7 $a020266542$2Uk
020 $a9781003188599$qelectronic book
020 $a1003188591$qelectronic book
020 $a9781000438444$qelectronic book
020 $a1000438449$qelectronic book
020 $a9781000438307$qelectronic book
020 $a1000438309$qelectronic book
020 $z9781032037004$qhardcover
020 $z9781032037011$qpaperback
024 7 $a10.4324/9781003188599$2doi
035 $a(OCoLC)1248598385
037 $a9781000438444$bIngram Content Group
037 $a9781003188599$bTaylor & Francis
042 $apcc
050 04 $aPN1995$b.B377 2022
072 7 $aART$x057000$2bisacsh
072 7 $aAP$2bicssc
082 00 $a791.4301/4$223
049 $aZCUA
100 1 $aBetancourt, Michael,$d1970-$eauthor.
245 10 $aCinematic articulation in motion graphics /$cMichael Betancourt.
264 1 $aNew York, NY :$bRoutledge,$c2022.
264 4 $c©2022
300 $a1 online resource (xvi, 211 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge studies in media theory and practice
504 $aIncludes bibliographical references and index.
520 $a"This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers' desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critical marginal productions by showing the fundamental connections that link all moving imagery and text, whether it tells a story or not. This insightful work will appeal to students and academics in film and media studies"--$cProvided by publisher.
545 0 $aMichael Betancourt is a critical theorist and research artist concerned with media history, digital technology, and capitalist ideology. He is the author of more than30 books. Deeply interdisciplinary, his writing has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish. He is the author of The ____________ Manifesto and books such as The History of Motion Graphics and The Critique of Digital Capitalism, as well as several books on the semiotics of motion graphics. These publications complement his movies, which have screened internationally in galleries, museums, film festivals, and contemporary art fairs.
588 $aDescription based on online resource; title from digital title page (viewed on December 14, 2021).
650 0 $aMotion pictures$xSemiotics.
650 0 $aAnimation (Cinematography)
650 0 $aGraphic design (Typography)
650 7 $aAnimation (Cinematography)$2fast$0(OCoLC)fst00809628
650 7 $aGraphic design (Typography)$2fast$0(OCoLC)fst00946640
650 7 $aMotion pictures$xSemiotics.$2fast$0(OCoLC)fst01027380
655 4 $aElectronic books.
776 08 $iPrint version:$aBetancourt, Michael, 1970-$tCinematic articulation in motion graphics$dNew York : Routledge, 2021$z9781032037004$w(DLC) 2021012831
830 0 $aRoutledge studies in media theory & practice.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15672152$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS