MARC Record from marc_columbia

LEADER: 06582cam a2200721 i 4500
001 16067386
005 20220428220334.0
008 210615t20212021nyuabc bc 000 0 eng d
010 $a 2021943887
035 $a(OCoLC)1256541466
035 $a(OCoLC)on1256541466
035 $a(NNC)16067386
040 $aYDX$beng$erda$cYDX$dBDX$dERASA$dCAM$dCPE$dOCLCF$dCDX$dCAD$dNGU$dCRU
020 $a1636810020
020 $a9781636810027
043 $aa------$an------$as------$acc-----$ae------
044 $anyu$abl
050 4 $aN8217.B535$bA37 2021
082 04 $a704.03/96073$223
245 00 $aAfro-Atlantic histories /$cedited by Adriano Pedrosa, Tomás Toledo ; texts by Adriano Pedrosa, Ayrson Heráclito, Deborah Willis, Hélio Menezes, Kanitra Fletcher, Lilia Moritz Schwarcz, Tomás Toledo, Vivian A. Crockett.
264 1 $aNew York, NY, United States :$bDelMonico Books, ARTBOOK/D.A.P. ;$aSão Paulo, SP, Brazil :$bMASP, Museu de Arte de São Paulo Assis Chateaubriand,$c2021.
264 4 $c©2021
300 $a389 pages :$billustrations (chiefly color), maps, portraits ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
336 $acartographic image$bcri$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with an exhibition of the same name co-organized by Museu de Arte de São Paulo Assis Chateaubriand and Museum of Fine Arts, Houston, and held at the Museum of Fine Arts, Houston, October 2021-January 2022; National Gallery of Art, Washington, D.C., April-July 2022; Los Angeles County Museum of Art, December 2022-April 2023; Dallas Museum of Art, October 2023-January 2024.
500 $aSelected artists include: Nina Chanel Abney, Sidney Amaral, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Radcliffe Bailey, Romare Bearden, John T. Biggers, Alexander "Skunder" Boghossian, Edu Carvalho, Elizabeth Catlett, Paul Cézanne, Henry Chamberlain, J. Cunha, Beauford Delaney, Aaron Douglas, David C. Driskell, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theaster Gates, Théodore Géricault, Barkley L. Hendricks, Clementine Hunter, William Henry Johnson, Loïs Mailou Jones, Barbara Jones-Hogu, Titus Kaphar, Seydou Keïta, Wifredo Lam, Jacob Lawrence, Norman Lewis, Glenn Ligon, Ibrahim Mahama, Edna Manley, Archibald J. Motley Jr., Abdias Nascimento, Paulo Nazareth, Gilberto de la Nuez, Toyin Ojih Odutola, Joe Overstreet, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Alison Saar, Victoria Santa Cruz, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Mickalene Thomas, Rubem Valentim, Kara Walker, Andy Warhol, and Lynette Yiadom-Boakye.
500 $a"This publication is a more concise development or unfolding of the original 2018 volume [Histórias afro-atlânticas] published by MASP and the Instituto [Tomie Ohtake] ... "--Editorial note.
500 $a"Afro-Atlantic Histories" was originally presented in a much larger scale at the MASP and at the Instituto Tomie Ohtake in São Paulo, in 2018.
504 $aIncludes bibliographical references.
505 0 $aAfro-Atlantic histories at Museu de Arte de São Paulo Assis Chateaubriand -- Afro-Atlantic histories at Instituto Tomie Ohtake -- Afro-Atlantic histories at the Museum of Fine Arts, Houston, and the National Gallery of Art, Washington, D.C. -- Editorial note -- History, histórias / Adriano Pedrosa -- Slave markets: when resignation is a form of resistance / Lilia Moritz Schwarcz -- Visualizing slavery: image and text / Deborah Willis -- Occupy self-portraiture / Kanitra Fletcher -- A place to call home: reflections on transnational translations / Vivian A. Crockett -- 1. Maps and margins -- 2. Emancipations -- 3. Everyday lives -- 4. Rites and rhythms -- 5. Portraits -- 6. Resistances and activisms -- 7. Routes and trances: Africas, Jamaica, Bahia -- 8. Afro-Atlantic modernisms -- Selected bibliography.
520 8 $a"Afro-Atlantic Histories" brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean, and Europe. The book is motivated by the desire and need to draw parallels, frictions, and dialogues around the visual cultures of Afro-Atlantic territories--their experiences, creations, worshipping, and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories, and cultures. The plural and polyphonic quality of "histórias" is also of note; unlike the English "histories," the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic, and cultural, as well as mythological narratives.
650 0 $aAfrican diaspora in art$vExhibitions.
650 0 $aArt, Black$vExhibitions.
650 0 $aSlavery in art$vExhibitions.
650 0 $aSlave trade in art$vExhibitions.
650 0 $aPortrait photography$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
650 7 $aAfrican diaspora in art.$2fast$0(OCoLC)fst01902318
650 7 $aArt, Black.$2fast$0(OCoLC)fst00816023
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
650 7 $aPortrait photography.$2fast$0(OCoLC)fst01072259
650 7 $aSlave trade in art.$2fast$0(OCoLC)fst01904709
650 7 $aSlavery in art.$2fast$0(OCoLC)fst01120514
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aPedrosa, Adriano,$eeditor,$econtributor.
700 1 $aToledo, Tomás,$eeditor,$econtributor.
700 1 $aHeráclito, Ayrson,$econtributor.
700 1 $aWillis, Deborah,$d1948-$econtributor.
700 1 $aMenezes, Hélio,$econtributor.
700 1 $aFletcher, Kanitra,$econtributor.
700 1 $aSchwarcz, Lilia Moritz,$econtributor.
700 1 $aCrockett, Vivian,$econtributor.
710 2 $aMuseu de Arte de São Paulo Assis Chateaubriand,$eorganizer.
710 2 $aInstituto Tomie Ohtake,$ehost institution.
710 2 $aMuseum of Fine Arts, Houston,$eorganizer,$ehost institution.
710 2 $aNational Gallery of Art (U.S.),$ehost institution.
710 2 $aLos Angeles County Museum of Art,$ehost institution.
710 2 $aDallas Museum of Art,$ehost institution.
852 00 $bfaxlc$hN8217.B535$iA37 2021g