MARC Record from marc_columbia

LEADER: 03846cam a2200589 i 4500
001 16067434
005 20220428220319.0
008 210507t20212021nyua c 000 0deng d
010 $a 2021936675
035 $a(OCoLC)1255874951
035 $a(OCoLC)on1255874951
035 $a(NNC)16067434
040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dOCLCF$dERASA$dMYA$dOCLCO$dMMX$dOCLCO$dYDX$dEAU$dOCL$dOCLCO$dTOH$dCUT
015 $aGBC190887$2bnb
016 7 $a020218370$2Uk
019 $a1242107834$a1286844041
020 $a9781633451285$q(hardcover)
020 $a1633451283$q(hardcover)
024 8 $zMoMA 2472
043 $an-us-ny$aa-ja---
050 4 $aN7359.K83$bA4 2021
082 04 $a700.92$223
100 1 $aKubota, Shigeko,$d1937-2015,$eartist.
245 10 $aShigeko Kubota :$bliquid reality /$cErica Papernik-Shimizu ; with an essay by Gloria Sutton.
246 30 $aLiquid reality
264 1 $aNew York, NY :$bThe Museum of Modern Art,$c[2021]
264 2 $aNew York, NY :$bDistributed in United States and Canada by ARTBOOK / DAP
264 4 $c©2021
300 $a104 pages :$bchiefly color illustrations ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished to accompany an exhibition of the same title held at The Museum of Modern Art, New York, August 21, 2021-January 1, 2022.
520 8 $a"Published in conjunction with an exhibition at the Museum of Modern Art, 'Shigeko Kubota: Liquid Reality' sheds new light on the multilayered practice of Shigeko Kubota (1937-2015), who broke new ground with her intrepid video sculptures combining "the energy of electrons" with raw materials like plywood, sheet metal, mirrors and the natural element of water. At the forefront of a generation of artists drawn to the nascent medium of video for its freedom from precedent, Kubota likened newly available portable video technology to a "new paintbrush." She employed early image-processing tools to create otherworldly portraits and landscapes that explored journeys both personal and artistic. Essays by curator Erica Papernik-Shimizu and scholar Gloria Sutton provide an in-depth look at a selection of Kubota's key video sculptures from the early 1970s to the mid-1980s, which pivoted from her Duchampiana series to a foregrounding of nature as a means of examining her medium, the world, and her place in it. This richly illustrated publication further contextualizes the artist's work through her writings and drawings, as well as archival ephemera. Viewed through the lens of today's digitally interconnected world, Kubota's revelatory sculptures continue to astonish through their economy of means and poetic juxtaposition of the organic and the electronic."--Artbook& website (viewed on Septebmer 23, 2021).
600 10 $aKubota, Shigeko,$d1937-2015$vExhibitions.
650 0 $aPerformance art$zNew York (State)$zNew York$vExhibitions.
650 0 $aPerformance art$zJapan$vExhibitions.
650 0 $aVideo installations (Art)$vExhibitions.
650 0 $aWomen artists$zJapan$vExhibitions.
600 17 $aKubota, Shigeko,$d1937-2015.$2fast$0(OCoLC)fst00099023
650 7 $aWomen artists.$2fast$0(OCoLC)fst01177159
650 7 $aVideo installations (Art)$2fast$0(OCoLC)fst01747580
650 7 $aPerformance art.$2fast$0(OCoLC)fst01057852
651 7 $aJapan.$2fast$0(OCoLC)fst01204082
650 7 $aART / General.$2bisacsh
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aPapernik-Shimizu, Erica,$eeditor.
700 1 $aSutton, Gloria,$ewriter of supplemental textual content.
710 2 $aMuseum of Modern Art (New York, N.Y.),$ehost institution.
852 00 $boff,fax$hN7359.K83$iA4 2021g