MARC Record from marc_columbia

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035 $a(OCoLC)on1304262207
035 $a(NNC)16097708
040 $aTYFRS$beng$erda$epn$cTYFRS$dTYFRS$dOCLCO$dOCLCQ
020 $a9781315770857$q(electronic bk.)
020 $a1315770857$q(electronic bk.)
020 $a9781317673620$q(electronic bk. ;$qMobipocket)
020 $a131767362X$q(electronic bk. ;$qMobipocket)
020 $a9781317673644$q(electronic bk. ;$qPDF)
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020 $a9781317673637$q(electronic bk. ;$qEPUB)
020 $a1317673638$q(electronic bk. ;$qEPUB)
020 $z9781138780316
020 $z1138780316
024 7 $a10.4324/9781315770857$2doi
035 $a(OCoLC)1304262207
037 $a9781315770857$bTaylor & Francis
050 4 $aTR892
072 7 $aPER$x004000$2bisacsh
072 7 $aAP$2bicssc
082 04 $a791.4301$223
049 $aZCUA
100 1 $aMercado, Gustavo,$eauthor.
245 14 $aThe filmmaker's eye :$blearning (and breaking) the rules of cinematic composition /$cGustavo Mercado.
250 $aSecond edition.
264 1 $aNew York :$bFocal Press,$c2017.
300 $a1 online resource (1 volume) :$billustrations (colour)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aPrevious edition: Amsterdam: Focal, 2011.
520 $aThis fully revised and updated edition of the classic book on cinematic composition provides readers with the necessary skills and technical know-how to create polished and narratively eloquent images, using a unique approach that combines an analytical, technical, and aesthetic understanding of the essential visual grammar of the shot. Containing well over a hundred full-color case studies, this second edition was expanded to include brand-new shot types, and was completely updated to reflect developments in filmmaking technology and practices, including the DSLR revolution, the advent of mirrorless and compact cinema cameras, improvements in CMOS sensor performance, the introduction of 4K and higher video resolutions, and drone cinematography. The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition 2nd edition is essential reading for anyone with an interest in motion media and cinematic storytelling, including independent filmmakers, directors, producers, cinematographers, editors, as well as those studying filmmaking, media aesthetics, and film studies.
545 0 $aGustavo Mercado is an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. The first edition of The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition, was translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is being used by film programs at colleges and universities worldwide. His second title in the Filmmaker's Eyefilm book series, The Language of the Lens: The Power of Lenses andThe Expressive Cinematic Imagewas translated into Turkish, Spanish, Chinese, Japanese, Korean, and Ukranian. He teaches cinematography, editing, screenwriting, and film production at Hunter College's Film & Media Studies Department in New York City.
588 0 $aPrint version record.
650 0 $aMotion pictures$xAesthetics.
650 0 $aCinematography.
650 2 $aMotion Pictures
650 6 $aCinéma$xEsthétique.
650 6 $aCinéma.
650 7 $aPERFORMING ARTS$xFilm & Video$xGeneral.$2bisacsh
650 7 $aCinematography.$2fast$0(OCoLC)fst00861484
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
655 4 $aElectronic books.
776 08 $iPrint version:$aMercado, Gustavo.$tFilmmaker's eye.$bSecond edition.$dNew York : Focal Press, 2017$z9781138780316$w(OCoLC)1063633951
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16097708$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS