MARC Record from marc_columbia

LEADER: 04191cam a2200565 i 4500
001 16098752
005 20220620090720.0
008 201117t20202020msua b 001 0 eng
010 $a 2020032150
024 $a99990517933
035 $a(OCoLC)on1154090182
040 $aMsSM/DLC$beng$erda$cDLC$dOCLCO$dOCLCF$dYDX$dTJC
019 $a1154080113
020 $a9781496831217$qhardcover
020 $a1496831217$qhardcover
020 $a9781496831224$qpaperback
020 $a1496831225$qpaperback
020 $z9781496831231$qelectronic publication
020 $z9781496831248$qelectronic publication
020 $z9781496831255$qelectronic book
020 $z9781496831262$qelectronic book
035 $a(OCoLC)1154090182$z(OCoLC)1154080113
042 $apcc
043 $an-us---
050 00 $aML3534.3$b.R34 2020
082 00 $a781.660973$223
100 1 $aRapport, Evan,$eauthor.
245 10 $aDamaged :$bmusicality and race in early American punk /$cEvan Rapport.
264 1 $aJackson :$bUniversity Press of Mississippi,$c[2020]
264 4 $c©2020
300 $ax, 351 pages :$billustrations ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aAmerican made music series
500 $aIncludes appendix, discography, and filmography.
504 $aIncludes bibliographical references and index.
505 00 $gIntro.$tThe meanings of a musical style --$gPart one: punk (adj.).$t"Raw power": protopunk transformations of the blues ;$t"Ignorance of your culture is not considered cool": reconsidering the avant-garde impulse in American punk ;$t"Pure rock and roll with no blues or folk or any of that stuff in it" --$gPart two: punk (n.).$tPunk and the white Atlantic ;$t"Less art and more machine": the California crucible ;$t"Decisions with precisions": new directions for hardcore in Washington, DC --$gOutro.$tA new way to pay old debts.
520 $a"Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America's cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis"--$cProvided by publisher.
650 0 $aPunk rock music$zUnited States$xHistory and criticism.
650 0 $aMusic and race$zUnited States$xHistory$y20th century.
650 7 $aMusic and race.$2fast$0(OCoLC)fst01030486
650 7 $aPunk rock music.$2fast$0(OCoLC)fst01084153
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aRapport, Evan,$tDamaged$dJackson : University Press of Mississippi, 2020.$z9781496831231$w(DLC) 2020032151
830 0 $aAmerican made music series.
852 0 $bbar$hML3534.3$i.R34 2020