MARC Record from marc_columbia

LEADER: 02652cam a2200421 i 4500
001 16270861
005 20220902140602.0
008 210826s2022 ctua 000 0 eng
010 $a 2021948837
024 $a99990708678
035 $a(OCoLC)on1265084665
040 $aDLC$beng$erda$cDLC$dBDX$dERASA$dUKMGB$dYUS$dOCLCF$dYDX
020 $a9780300256925$q(hardcover)
020 $a0300256922
035 $a(OCoLC)1265084665
042 $apcc
043 $an-us---
050 00 $aN6537.R87$bQ53 2022
082 04 $a700.411
100 1 $aQuick, Jennifer,$eauthor.
245 10 $aBack to the drawing board :$bEd Ruscha, art, and design in the 1960s /$cJennifer Quick.
264 1 $aNew Haven :$bYale University Press,$c[2022]
300 $aix, 189 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Ed Ruscha (b. 1937) emerged onto the Los Angeles art scene with paintings that incorporated consumer products, such as Spam and SunMaid raisins. In this revelatory book, Jennifer Quick looks at Ruscha's work through the tools, techniques, and habits of mind of commercial art and design, showing how his training and early work as a commercial artist helped him become an incisive commentator on the presence and role of design in the modern world. The book explores how Ruscha mobilized commercial design techniques of scale, paste-up layout, and perspective as he developed his singular artistic style. Beginning with his formative design education and focusing on the first decade of his career, Quick analyzes previously unseen works from the Ruscha archives alongside his celebrated paintings, prints, and books, demonstrating how Ruscha's engagement with commercial art has been foundational to his practice. Through this insightful lens, Quick affirms Ruscha as a powerful and witty observer of the vast network of imagery that permeates visual culture and offers new perspectives on Pop and conceptual art"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 171-180) and index.
600 10 $aRuscha, Edward$xCriticism and interpretation.
600 17 $aRuscha, Edward.$2fast$0(OCoLC)fst00007277
650 6 $aPop'art$zÉtats-Unis.
650 6 $aArt conceptuel$zÉtats-Unis.
650 7 $aConceptual art.$2fast$0(OCoLC)fst00872980
650 7 $aPop art.$2fast$0(OCoLC)fst01071250
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 00 $boff,fax$hN6537.R87$iQ53 2022