MARC Record from marc_columbia

LEADER: 04273cam a2200553M 4500
001 16273268
005 20220730231204.0
006 m d
007 cr |||||||||||
008 220417s2022 xx o ||| 0 eng d
035 $a(OCoLC)on1311238141
035 $a(NNC)16273268
040 $aYDX$beng$cYDX$dTYFRS$dOCLCO$dOCLCF$dSFB
020 $a1000600653$q(electronic bk.)
020 $a9781000600650$q(electronic bk.)
020 $a9781003242284$q(electronic bk.)
020 $a1003242286$q(electronic bk.)
020 $a9781000600667$q(electronic bk. : EPUB)
020 $a1000600661$q(electronic bk. : EPUB)
024 7 $a10.4324/9781003242284$2doi
035 $a(OCoLC)1311238141
037 $a9781003242284$bTaylor & Francis
050 4 $aPR9611.6.P53
072 7 $aPER$x011000$2bisacsh
072 7 $aAN$2bicssc
082 04 $a822$223/eng/20220324
049 $aZCUA
100 1 $aClode, Rebecca,$eauthor.
245 10 $aAUSTRALIAN METATHEATRE ON PAGE AND STAGE;$bAN EXPLORATION OF METATHEATRICAL TECHNIQUES$h[electronic resource].
260 $aABINGDON :$bROUTLEDGE,$c2022.
300 $a1 online resource
490 0 $aRoutledge advances in theatre & performance studies
520 $aThis book offers the first major discussion of metatheatre in Australian drama of the late twentieth and early twenty-first centuries. It highlights metatheatre's capacity to illuminate the wider social, cultural, and artistic contexts in which plays have been produced. Drawing from existing scholarly arguments about the value of considering metatheatre holistically, this book deploys a range of critical approaches, combining textual and production analysis, archival research, interviews, and reflections gained from observing rehearsals. Focusing on four plays and their Australian productions, the book uses these examples to showcase how metatheatre has been utilised to generate powerful elements of critique, particularly of Indigenous/non-Indigenous relations. It highlights metatheatre's vital place in Australian dramatic and theatrical history and connects this Australian tradition to wider concepts in the development of contemporary theatre. This illuminating text will be of interest to students and scholars of Australian theatre (historic and contemporary) as well as those researching and studying drama and theatre studies more broadly.
545 0 $aRebecca Clode is a lecturer in Drama and English at the Australian National University. She is a PhD graduate of the ANU andalso holds an MA in Text and Performance Studies from King's College and the Royal Academy of Dramatic Art, London. Research interests include AustralianDrama (history and practice) as well as contemporary European and American Dramas. Rebecca is also a theatre-maker with a background in directing and dramaturgy.
505 0 $aThe metatheatre of Dorothy Hewett's The man from Mukinupin -- The metatheatre of The man from Mukinupin on stage -- Louis Nowra's Royal show -- Sideshow Alley as metatheatre in Louis Nowra's Royal show -- Timberlake Wertenbaker's Our country's good -- Our country's good : the metatheatre of rehearsal, backstage and the 'Aboriginal Australian' -- Peta Murray's Things that fall over -- an (anti-)musical of a novel, inside a reading of a play, with footnotes, and oratorio-as-coda -- Peta Murray's Things that fall over : (con)texts, paratexts, metatheatre -- Conclusion: Sideshows and other swansongs.
650 0 $aPlay within a play.
650 0 $aAustralian drama$y20th century$xHistory and criticism.
650 0 $aAustralian drama$y21st century$xHistory and criticism.
650 6 $aThéâtre dans le théâtre.
650 6 $aThéâtre australien$y20e siècle$xHistoire et critique.
650 6 $aThéâtre australien$y21e siècle$xHistoire et critique.
650 7 $aPERFORMING ARTS / Theater / General$2bisacsh
650 7 $aAustralian drama.$2fast$0(OCoLC)fst00821418
650 7 $aPlay within a play.$2fast$0(OCoLC)fst01066977
648 7 $a1900-2099$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16273268$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS