Record ID | marc_columbia/Columbia-extract-20221130-033.mrc:470986784:5054 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-033.mrc:470986784:5054?format=raw |
LEADER: 05054cam a2200529 i 4500
001 16296371
005 20220606211741.0
008 201013s2021 nyua b 001 0beng
010 $a 2020045582
035 $a(OCoLC)on1193067096
040 $aDLC$beng$erda$cDLC$dOCLCO$dDLC$dOCLCF$dFSP$dYDX$dOCLCO$dVP@$dIMD$dOCLCO$dJ9U$dJYJ
019 $a1240364392
020 $a9780199846108$qhardcover
020 $a0199846103$qhardcover
020 $z9780190656768$qelectronic publication
020 $z9780197514450$qelectronic book
035 $a(OCoLC)1193067096$z(OCoLC)1240364392
042 $apcc
043 $an-us---
050 00 $aPS3568.O855$bZ8254 2021
082 00 $a813/.54$223
049 $aZCUA
100 1 $aNadel, Ira Bruce,$eauthor.
245 10 $aPhilip Roth :$ba counterlife /$cIra Nadel.
264 1 $aNew York, NY :$bOxford University Press,$c[2021]
300 $axx, 546 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 453-525) and index.
505 0 $aIntroduction: The history of my discontent -- Newark, Newark, Newark -- Declaration of independence -- An education in intensity -- "Walked out on the platinum!," or New York, New York -- Portnoy : "let it rip" -- Jewish wheaties -- Travels with Kafka -- Supercarnal productions -- Thinking in straight lines -- "Psychoanalysis and laxatives," or democracy in America -- Quintet, or the Jersey style -- Coda: "It's a miserable life".
520 $a"This account of Philip Roth traces the psychological and artistic origins of his creative life. It examines the major events of his career, while identifying a series of personal themes in his writing, from his relationship with Judaism to family, marriage, Eastern Europe and America. It addresses his private challenges from romance and health, to surviving as a writer burdened with success. The book also reflects how living outside the United States, initially in Italy and then England, plus his visits to Eastern Europe and exposure to their oppressed writers affected his writing. In particular, it primed him for a new engagement with American political and social history, resulting in a renewed determination to re-write America through his American trilogy and The Plot Against America. Although chronology is the framework, this is a thematic reading of Roth's life and career with attention to family, self-identity and success. A set of contrasting angles form this approach, beginning with his prolonged sense of discontent, yet public image of success, his search for sustained relationships but then decision to end them, his idealization of his parents but persistent undercurrent of criticism. Three overlapping issues provide the impetus for this reading: the aesthetic, the emotional and the historical. The lasting importance of such themes as anger, betrayal and failure has a vital role in understanding Roth's character and work. So, too, does his sense of performance on and off the page. Location is also significant and there are extensive discussions of Newark, London, Iowa, Prague and rural Connecticut. Particular attention to writers of the Holocaust, notably Primo Levi and Aharon Appelfeld, and contemporaries such as Saul Bellow and Bernard Malamud, also frame the narrative along with discussions of John Updike, Cynthia Ozick, Norman Mailer, Nadine Gordimer and Nicole Krauss. Works receiving special attention are Portnoy's Complaint, The Ghost Writer, Sabbath's Theater and the American trilogy. The shifting patterns of Roth's writing style, often related to changes in his physical and psychological health, are also considered. But more importantly is Roth's character and how early incidents formed later behavior, especially his inability to forget the past, particularly an insult or criticism. Analysis of his life with his two wives, Margaret (Maggie) Williams and Claire Bloom also occurs, as well as his relationships with other women. Further commentary focuses on Roth's illnesses and his life after he publicly announced that he had stopped writing"--$cProvided by publisher.
600 10 $aRoth, Philip.
650 0 $aAuthors, American$y20th century$vBiography.
650 0 $aJewish authors$zUnited States$vBiography.
600 17 $aRoth, Philip.$2fast$0(OCoLC)fst00044990
650 7 $aAuthors, American.$2fast$0(OCoLC)fst00821764
650 7 $aJewish authors.$2fast$0(OCoLC)fst00982665
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
600 17 $aRoth, Philip.$2nli
650 7 $aAuthors, American$y20th century$vBiography.$2nli
650 7 $aJewish authors$zUnited States$vBiography.$2nli
648 7 $a1900-1999$2fast
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aBiographies.$2lcgft
776 08 $iOnline version:$aNadel, Ira Bruce.$tPhilip Roth$dNew York : Oxford University Press, [2021]$z9780190656768$w(DLC) 2020045583
852 00 $bglx$hPS3568.O855$iZ8254 2021