MARC Record from marc_columbia

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035 $a(OCoLC)on1298724131
040 $aJHE$beng$erda$cDLC$dOCLCO$dH7K
020 $a9786559212705$qpaperback
020 $a655921270X$qpaperback
035 $a(OCoLC)1298724131
041 1 $apor$heng
042 $alcode$alccopycat
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050 00 $aN6655.5.M63$bD46167 2022
049 $aZCUA
100 1 $aDenis, Rafael Cardoso,$eauthor.
240 10 $aModernity in black and white.$lPortuguese
245 10 $aModernidade em preto e branco :$barte e imagem, raça e identidade no Brasil, 1890-1945 /$cRafael Cardoso.
250 $aEdição brasileira.
264 1 $a[São Paulo, Brazil] :$bCompanhia das Letras,$c2022.
264 4 $c©2022
300 $a366 pages :$billustrations (some color) ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 8 $aNota à edição brasileira -- Introdução: Modernidades ambíguas e modernismos alternativos -- 1. Coração das trevas no seio da metrópole moderna: Favelas, raça e barbárie -- 2. Uma festa pagã para a modernidade: Arte, boemia e Carnaval -- 3. A impressão da vida moderna: Uma nova arte para o novo século -- 4. O selvagem cosmopolita: Modernismo, primitivismo e a descida antropofágica -- 5. A face da terra: O Estado Novo e a busca pelo tipo brasileiro -- Epílogo.
520 $a"Black and white" refers not only to racial disparities but also to tensions between elite culture and an incipient mass culture that has found expression in media such as photography and graphic arts (formerly referred to in English-language sources such as black and white art). In the Brazilian context, the intersection between exclusions according to racist and class criteria makes it almost impossible to think them in isolation. Generally understood as an elite movement, Brazilian modernism is usually associated with a so-called São Paulo group. However, from the emergence of the first favelas in the 1890s and 1900s to the reinvention of Carnival in the 1930s and 1940s, through the boom of new and media photography, modernism has crossed several social classes and geographical areas. In this book, Rafael Cardoso offers a radical rereading of the movement, bringing to light elements absolutely central to its unfolding that are not only in São Paulo lands. Illustratated with a hundred images, Modernity in black and white combines extensive research with an engaging prose, which guides the reader through various areas of Brazilian society between 1890 and 1945.
650 0 $aArt and society$zBrazil$xHistory$y19th century.
650 0 $aArt and society$zBrazil$xHistory$y20th century.
650 0 $aArtists, Black$zBrazil$xSocial conditions$xHistory$y19th century.
650 0 $aArtists, Black$zBrazil$xSocial conditions$xHistory$y20th century.
650 0 $aRace in art.
650 0 $aBlack people in art.
650 0 $aModernism (Art)$zBrazil.
650 0 $aArt and race.
651 0 $aRio de Janeiro (Brazil)$xCivilization$xAfrican influences.
650 6 $aArt et société$0(CaQQLa)201-0001587$zBrésil$0(CaQQLa)000260030$xHistoire$0(CaQQLa)201-0378908$y19e siècle.$0(CaQQLa)201-0378908
650 6 $aArt et société$0(CaQQLa)201-0001587$zBrésil$0(CaQQLa)000260030$xHistoire$0(CaQQLa)201-0378892$y20e siècle.$0(CaQQLa)201-0378892
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650 6 $aArtistes noirs$0(CaQQLa)201-0032992$zBrésil$0(CaQQLa)000260030$xConditions sociales$0(CaQQLa)201-0377410$xHistoire$0(CaQQLa)201-0378892$y20e siècle.$0(CaQQLa)201-0378892
650 6 $aRace dans l'art.$0(CaQQLa)000292490
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650 6 $aArt et race.$0(CaQQLa)201-0439136
650 7 $aArt and race.$2fast$0(OCoLC)fst00815423
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aCivilization$xAfrican influences.$2fast$0(OCoLC)fst00862900
650 7 $aModernism (Art)$2fast$0(OCoLC)fst01024442
650 7 $aRace in art.$2fast$0(OCoLC)fst01904405
651 7 $aBrazil.$2fast$0(OCoLC)fst01206830
651 7 $aBrazil$zRio de Janeiro.$2fast$0(OCoLC)fst01205337
648 7 $a1800-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
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