MARC Record from marc_columbia

LEADER: 02177cam a2200373 i 4500
001 16123201
005 20220524202542.0
008 200217t20202020caua bc 000 0 eng d
024 $a99990634993
035 $a(OCoLC)on1140710197
040 $aYDX$beng$erda$cYDX$dBDX$dOCLCQ$dERASA$dUAB$dCDX
020 $a1951541197$q(paperback)
020 $a9781951541194$q(paperback)
035 $a(OCoLC)1140710197
043 $an-us---
050 4 $aNA712$b.D39 2020
082 04 $a724/.6$223
100 1 $aDay, Joe,$d1967-$eauthor.
245 10 $aForays /$cJoe Day ; Deegan-Day Design.
264 1 $a[Novato, CA] :$bORO Editions,$c[2020]
264 4 $c©2020
300 $a328 pages :$bcolor illustrations ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
520 $aHow does one envision architecture? 'Forays' gathers the work of Joe Day and Deegan-Day Design into six diptychs, unified by this question. Working in a wide range of media and scales, Day's work mines the differentials between perspective and projection. 'Forays' is organised in six diptychs, the first two paired projects are books in their own right; the second pair, a clothing line and a first building; the third, two houses; the fourth, two plays on brand identity and design methodology; the fifth, permanent and transient cinema proposals; and the sixth, two series of speculative work in local and global registers. Modelled on a comparison of two classic cameras - the Leica M3 and Polaroid SX-70 - each diptych includes a project with more 'Leica' to it - a more bounded, Cartesian clarity or distilled focus - and another closer to an SX-70 in its moving or folding parts, its shape-shifting adaptability.
600 10 $aDay, Joe,$d1967-$vCatalogs.
650 0 $aArchitecture$zUnited States$xHistory$y20th century$vCatalogs.
650 0 $aArchitecture$zUnited States$xHistory$y21st century$vCatalogs.
650 0 $aArchitecture$xPhilosophy.
700 1 $aDeegan-Day Design (Firm),$eauthor.
852 00 $boff,ave$hNA712$i.D39 2020g