MARC Record from marc_columbia

LEADER: 03968cam a2200433 i 4500
001 16883956
005 20221110112511.0
008 220826s2021 cl a b 000 0 spa d
035 $a(OCoLC)on1342461333
040 $aH7K$beng$erda$cH7K$dJPG$dOCLCF
020 $a9789566048725
020 $a9566048726
035 $a(OCoLC)1342461333
043 $as-cl---
050 4 $aND2703.V27$bD45 2021
049 $aZCUA
100 1 $aDardel Coronado, Magdalena,$d1986-$eauthor.
245 10 $aMurales no albergados :$bMuseo a Cielo Abierto de Valparaíso /$cMagdalena Dardel Coronado.
246 30 $aMuseo a Cielo Abierto de Valparaíso
264 1 $aSantiago, Chile :$bMetales Pesados,$c2021.
300 $a175 pages :$billustrations ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Escanear el código para accesar las imagenes a color de los murales del Museo a Cielo Abierto."
500 $a"En memoria de Francisco Méndez Labbé (1922-1921).
504 $aIncludes bibliographical references (pages 163-172).
505 8 $aIntroducción -- I. Arquitectura, espacio, soporte y pintura -- Los actos poéticos y los signos -- El Taller de Murales -- Pintura no albergada -- Ausencia de institucionalidad -- II. De la ciudad con muros al museo sin muros -- Nueva museología crítica -- Recorrer a cielo abierto -- III. Espacio urbano y curaduría -- Orígenes de la curaduría -- La curaduría del Museo a Cielo Abierto -- El Museo a Cielo Abierto y la curaduría contemporánea -- IV. Arte público y arte participativo -- Arte público y espcio urbano -- Arte público y arte participativo -- Arte público, vanguardia y abstracción -- Arte público, campo expandido y pintura no albergada -- Espacio urbano, pedagogía y participación -- Taller de Murales y Museo a Cielo Abierto en comparación con otras experiencias murales en la pintura chilena -- Consideraciones finales.
520 $aThe Museo a Cielo Abierto de Valparaíso (MaCA) is the result of a course of the Art Institute of the Universidad Católica de Valparaíso (UCV) and was concretized thanks to an agreement with the local Municipality, which allowed the intervention of the public space. Devised by the painter, architect and academic Francisco Méndez Labbé (1922-2021) in 1991 and inaugurated in July 1992, it had donated works elaborated by eighteen key references of Chilean art of the mid-twentieth century, installed in a circuit that Méndez defined in the central Bellavista hill. Between 1969 and 1973 Francisco Méndez developed a Mural Workshop where he went out with his students from the UCV to intervene in the walls of the city. In 1991 Méndez invited a wide spectrum of artists to send sketches. Finally, twenty-one works were incorporated, authored by Mario Carreño, Gracia Barrios, Eduardo Pérez, Matilde Pérez, Eduardo Vilches, María Martner, Ricardo Yrarrázaval, Rodolfo Opazo, Roberto Matta, Ramón Vergara Grez, Mario Toral, Roser Bru, Sergio Montecino, NemesioAntúnez, José Balmes, Guillermo Núñez, Augusto Barcia and Francisco Méndez. The stylistic diversity of the participants and their works make up an exhibition that can be considered a synthesis of Chilean painting of the mid-twentieth century.
650 0 $aMural painting and decoration$zChile$zValparaíso$xHistory$y20th century.
610 20 $aMuseo a Cielo Abierto de Valparaíso (Chile)
650 0 $aOpen-air museums$zChile$zValparaíso$xHistory.
610 27 $aMuseo a Cielo Abierto de Valparaíso (Chile)$2fast$0(OCoLC)fst00736923
650 7 $aMural painting and decoration.$2fast$0(OCoLC)fst01029558
650 7 $aOpen-air museums.$2fast$0(OCoLC)fst01046126
651 7 $aChile$zValparaíso.$2fast$0(OCoLC)fst01212007
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $bfax4off$hND2703.V27$iD45 2021g