MARC Record from marc_columbia

LEADER: 02313cam a2200469Ma 4500
001 16888030
005 20221203225251.0
006 m o d
007 cr |||||||nn|n
008 100426s2010 inu o 000 0 eng d
010 $z 2010017294
035 $a(OCoLC)on1348240125
035 $a(NNC)16888030
040 $aVJA$beng$cVJA$dOCLCF
020 $a9780253004871
020 $a025300487X
020 $z9780253355560 (cloth : alk. paper)
020 $z0253355567 (cloth : alk. paper)
020 $z9780253222602 (pbk. : alk. paper)
020 $z0253222605 (pbk. : alk. paper)
035 $a(OCoLC)1348240125
050 00 $aPN1995.9.D6$bN539 2010
049 $aZCUA
100 1 $aNichols, Bill,$d1942-
245 10 $aIntroduction to Documentary, Second Edition$h[electronic resource] /$cBill Nichols.
250 $a2nd ed.
260 $aBloomington :$bIndiana University Press,$c2010.$e(Baltimore, Md. :$fProject MUSE,$g2015)
300 $a1 online resource (xviii, 341 p. :)$bill.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references, filmography and index.
505 0 $aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary?
588 $aDescription based on print version record.
650 0 $aDocumentary films$xHistory and criticism.
650 7 $aDocumentary films.$2fast$0(OCoLC)fst00896079
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
710 2 $aProject Muse.
830 0 $aBook collections on Project MUSE.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16888030$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS