MARC Record from marc_columbia

LEADER: 03793cam a2200601Mi 4500
001 16888203
005 20221112232747.0
006 m o d
007 cr cn|||||||||
008 171110s2017 enk o 000 0 eng d
035 $a(OCoLC)on1011115091
035 $a(NNC)16888203
040 $aTYFRS$beng$erda$epn$cTYFRS$dOCLCQ$dUWO$dOCLCO$dOCLCF$dUKAHL$dOCLCQ$dOCLCO$dOCLCA$dOCLCO
020 $a9781351199315$q(e-book)
020 $a1351199315
035 $a(OCoLC)1011115091
043 $ae-gx---
050 4 $aPT543
072 7 $aLIT000000$2bisacsh
082 04 $a831.4$223
049 $aZCUA
100 1 $aCarrdus, Anna,$eauthor.
245 10 $aClassical Rhetoric and the German Poet :$b1620 to the Present - Study of Opitz, Burger and Eichendorff.
250 $aFirst edition.
264 1 $aLondon :$bTaylor and Francis,$c2017.
300 $a1 online resource :$btext file, PDF
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
505 00 $tChapter 1 The Relationship between Theory and Poetry /$rAnna Carrdus --$tchapter 2 Martin Opitz: Rhetoric and Consolation /$rAnna Carrdus --$tchapter 3 Gottfried August Bürger: Rhetoric and 'Volkspoesie' /$rAnna Carrdus --$tchapter 4 Joseph von Eichendorff: Rhetoric and Hieroglyph /$rAnna Carrdus --$tchapter 5 General Conclusion /$rAnna Carrdus.
520 3 $a"This study relates theory to the details of poetic practice. it presents Opitz, Burger and Aichendorff as representatives of their times and demonstrates how they adapt the classical arts to their particular talents and beliefs. All three poets are shown at work within a tradition flexible enough to persist even into the present. The author shows how the influence of rhetoric on German poetry did not vanish in the mid-18th century, as is widely supposed. The firts chapter briefly comapres theoretical statements by martin Opitz and the 20th century poet peter Ruhmkorf. it uses the comaprison to introduce two main arguments: thta classical rhetoric and poetics exert a persistent though constantly changing influence on the composition of german poetry; and that the theoretical precepts and natural talent are mutually interdependant. These arguments are developed through the examination of works by three German poets, taken from periods of major literary change. Opitz is representative of the Baroque, Burger of the ""Sturm and Drang"", and eichendorff of Romanticism. Three main chapters reconstruct the working method of each poet, applying his own theory and that of near contemporaries to detailed analysis of one of two of his poems. This procedure illustrates how each poet adapts rhetorical and poetic traditions to his own personal talent and to the literary preoccupations of his time."
650 0 $aGerman poetry$xHistory and criticism.
650 0 $aGerman poetry.
650 0 $aPoetics$xHistory.
650 0 $aPoetics.
650 0 $aRhetoric$zGermany$xHistory.
650 0 $aRhetoric.
650 6 $aPoésie allemande$xHistoire et critique.
650 6 $aPoésie allemande.
650 6 $aPoétique$xHistoire.
650 6 $aPoétique.
650 6 $aRhétorique$zAllemagne$xHistoire.
650 6 $aRhétorique.
650 7 $aGerman poetry.$2fast$0(OCoLC)fst00941930
650 7 $aPoetics.$2fast$0(OCoLC)fst01067682
650 7 $aRhetoric.$2fast$0(OCoLC)fst01096948
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 0 $z9781351199308$z9781351199292
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16888203$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS