MARC Record from marc_columbia

LEADER: 03619cam a2200517 i 4500
001 16910302
005 20221116023028.0
008 210925s2022 enka b 000 0 eng d
040 $aYDX$beng$erda$cYDX$dBDX$dUKMGB$dOCLCO$dOCLCF$dERASA$dKEU$dCGU$dNDD
015 $aGBC245246$2bnb
016 7 $a020519033$2Uk
019 $a1269100963$a1269202037$a1308412889
020 $a1857096827
020 $a9781857096828
050 4 $aND553.P5$bA78 2022
082 04 $a759$223
100 1 $aRiopelle, Christopher,$eauthor.
245 10 $aPicasso Ingres :$bface to face /$cChristopher Riopelle, Emily Talbot, Susan L. Siegfried.
264 1 $aLondon :$bNational Gallery Global ;$c2022.
300 $a71 pages :$billustrations (colour) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalogue for the exhibition held at the National Gallery, London, 3 June - 9 October 2022, and at the Norton Simon Museum, Pasadena, 21 October 2022 - 30 January 2023.
504 $aIncludes bibliographical references.
520 8 $aThis publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Therese Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book. Exhibition: The National Gallery, London, UK(03.06. - 09.10.2022) / Norton Simon Museum, Pasadena, USA (21.10. 2022 - 30.01.2023).
600 10 $aPicasso, Pablo,$d1881-1973.$tWoman with a book$vExhibitions.
600 10 $aIngres, Jean-Auguste-Dominique,$d1780-1867.$tMadame Moitessier$vExhibitions.
600 10 $aPicasso, Pablo,$d1881-1973$xCriticism and interpretation$vExhibitions.
600 10 $aIngres, Jean-Auguste-Dominique,$d1780-1867$xCriticism and interpretation$vExhibitions.
650 0 $aPortrait painting, Spanish$vExhibitions.
650 0 $aPortrait painting, French$vExhibitions.
650 6 $aPeinture de portraits espagnole.$0(CaQQLa)000291853
650 6 $aPeinture de portraits française.$0(CaQQLa)000291815
600 17 $aIngres, Jean-Auguste-Dominique,$d1780-1867.$2fast$0(OCoLC)fst00071950
600 17 $aPicasso, Pablo,$d1881-1973.$2fast$0(OCoLC)fst00028123
630 07 $aMadame Moitessier (Ingres, Jean-Auguste-Dominique)$2fast$0(OCoLC)fst01362014
650 7 $aPortrait painting, French.$2fast$0(OCoLC)fst01072211
650 7 $aPortrait painting, Spanish.$2fast$0(OCoLC)fst01072248
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aTalbot, Emily$q(Emily M.),$eauthor.
700 1 $aSiegfried, Susan L.,$eauthor.
710 2 $aNational Gallery (Great Britain),$ehost institution.
710 2 $aNorton Simon Museum (Pasadena, Calif.),$ehost institution.
852 00 $bfax4off$hND553.P5$iA78 2022g