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Record ID marc_columbia/Columbia-extract-20221130-034.mrc:118063359:8751
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-034.mrc:118063359:8751?format=raw

LEADER: 08751cam a22006858i 4500
001 16912222
005 20221119230854.0
006 m o d
007 cr |||||||||||
008 220520s2022 enk ob 001 0 eng
010 $a 2022024042
035 $a(OCoLC)on1320819762
035 $a(NNC)16912222
040 $aDLC$beng$erda$cDLC$dOCLCF$dYDX$dTYFRS
020 $a9781003254805$q(ebook)
020 $a1003254802
020 $a9781000783797$q(electronic bk. : PDF)
020 $a1000783790$q(electronic bk. : PDF)
020 $a9781000783858$q(electronic bk. : EPUB)
020 $a1000783855$q(electronic bk. : EPUB)
020 $z9781032184968$q(hardback)
020 $z9781032184999$q(paperback)
024 7 $a10.4324/9781003254805$2doi
035 $a(OCoLC)1320819762
037 $a9781003254805$bTaylor & Francis
050 00 $aML3916
072 7 $aSOC$x026000$2bisacsh
072 7 $aJHB$2bicssc
082 00 $a306.4/84209052$223/eng/20220525
049 $aZCUA
245 00 $aRemaking culture and music spaces :$baffects, infrastructures, futures /$cedited by Ian Woodward, Jo Haynes, Pauwke Berkers, Aileen Dillane, Karolina Golemo.
263 $a2210
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2022.
300 $a1 online resource.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 0 $aRoutledge advances in sociology
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction. Making sense of culture and music space during and beyond the pandemic / Jo Haynes and Ian Woodward -- Part I. Affects. Festival atmospheres : social, spatial, and material explorations of physically distanced Festivals / Britt Swartjes and Femke Vandenberg ; How live is live? COVID-19, live music and online performances / Ben Green, Andy Bennett, Paula Guerra, Frances Howard, Ana Olivera, Sofia Sousa and Ernesta Sofija ; 'Like a winter without Christmas' : Interaction rituals and the disruption of the Roskilde Festival / Annette Michelsen la Cour, Mette Kousholt and Emilie Kirstine Holse -- Part II. Infrastructures. Curating listening : The cultural production of a (commercial) experience / Raphaël Nowak ; Reconceiving spatiality and value in the live music industries in response to COVID-19 / Iain Taylor, Sarah Raine and Craig Hamilton ; Out of office : The broader implications of changing spaces and places in arts-based work during the COVID-19 pandemic / Rachel Skaggs, Erin J. Hoppe and Molly Jo Burke ; The sounds of silence : Concerts, musicians, and the COVID-19 pandemic / Timothy Dowd, Yun Tai and Dmitri Zaras ; Self-organisation in musicians' collective workspaces before, during and after COVID-19 : A model for moving forward? / Yosha Wijngaarten
505 0 $aPart III: Spaces. A sonic paradise in the countryside: Pop-rock festivals as drivers of creative tourism development in small cities and rural areas in the post-pandemic era / Paula Guerra and Ana Oliveira ; Refiguring pathologized festival spaces : Governance, risk and creativity / Ian Woodward, Jo Haynes and Magda Mogilnicka ; Experimenting with adulthood in the time of pandemic : The 18th edition of the Sacrum Profanum festival in Cracow / Karolina Golemo ; The island of freedom on the Vltava / Pavla Jonssonová ; The moral complexity of organising a civically engaged festival during the COVID-19 Pandemic / Ivana Rapoš Božič -- Part IV. Futures. Unknown futures : Towards a more resilient Dutch popular music sector / Frank Kimenai, Pauwke Berkers, Nyota Kanyemesha and Joost Vervoort ; At the juncture of the liminal and the neo-liberal : Can the smaller, independent commercial music festival survive into the future? / Aileen Dillane ; Regions in recovery? The significance of festivals for regenerating and reimagining regional community life ; Michelle Duffy and Judith Mair ; Music missionaries : How Dutch music festivals utilised the pandemic to bounce forward / Martijn Mulder.
520 $a"This collection analyses the remaking of culture and music spaces during the ongoing COVID-19 pandemic. Its central focus is how cultural producers negotiated radically disrupted and uncertain conditions by creating, designing and curating new objects and events, and through making alternative combinations of practices and spaces. By examining contexts and practices of remaking culture and music, it goes beyond being a chronicle of how the pandemic disrupted cultural life and livelihoods. The book also raises crucial questions about the forms and dynamics of post-pandemic spaces of culture and music. Main themes include the affective and embodied dimensions that shape the experience, organisation and representation of cultural and musical activity; the restructuring of industries and practices of work and cultural production; the transformation of spaces of cultural expression and community; and the uncertainty and resilience of future culture and music. This collection will be instrumental for researchers, practitioners and students studying the spatial, material, and affective dimensions of cultural production in the fields of cultural sociology, cultural and creative industries research, festival and event and studies, and music studies. Its inter-disciplinary nature makes it beneficial reading for anyone interested in what has happened to culture and music during the global pandemic and beyond"--$cProvided by publisher.
588 $aDescription based on print version record and CIP data provided by publisher; resource not viewed.
545 0 $aIan Woodward is Professor of Cultural Sociology at Syddansk Universitet, Denmark. He is an internationally recognised scholar in the sociology of consumption and material cultures, the sociology of cosmopolitanism, and aspects of cultural production and consumption in contemporary music economies. Most recently, he was co-editor of The Oxford Handbook of Consumption, and his books include Labels: Making Independent Music, The Sociology of Cosmopolitanism, The Festivalization of Culture, and Vinyl: The Analogue Record in the Digital Age. Jo Haynes is Associate Professor in Sociology at the University of Bristol. Her research focuses on the sociology of popular music, ethnicity/race, diversities, and cultural work, (digital) entrepreneurship; and the cultural industries. She has published a research monograph called Music, Difference and the Residue of Race and has published in leading journals including British Journal of Sociology, Cultural Sociology, and New Media & Society. Pauwke Berkers is Professor of Sociology of Popular Music in the Department of Arts and Culture Studies, Erasmus University Rotterdam. He is an expert in the study of inequalities in arts and culture--particularly race/ethnicity and gender. He has published in leading journals in sociology and gender studies. Berkers has coordinated several national and international research projects. Aileen Dillane is Senior Lecturer in Music at the University of Limerick. Her research interests include local/global Irish musical identities, protest music, and music festivals. Select publications include the co-edited volumes Songs of Social Protest: International Perspectives (2018), and Public and Political Discourses of Migration (2016). Karolina Golemo is a sociologist of culture, and Assistant Professor at the Institute of Intercultural Studies, Jagiellonian University in Krakow. Her research interests focus on cultural diversity of Italy, Spain, and Portugal; cross-cultural identities and integration of immigrants' descendants, migrants and artistic expression; music in intercultural relations; andpostcolonial relations in cultural perspective.
650 0 $aMusic$xSocial aspects$xHistory$y21st century.
650 0 $aCOVID-19 Pandemic, 2020-$xSocial aspects.
650 7 $aMusic$xSocial aspects.$2fast$0(OCoLC)fst01030444
650 7 $aSocial aspects.$2fast$0(OCoLC)fst01354981
650 7 $aSOCIAL SCIENCE / Sociology / General$2bisacsh
647 7 $aCOVID-19 Pandemic$d(2020-)$2fast$0(OCoLC)fst02024716
648 7 $aSince 2000$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aWoodward, Ian$c(Sociologist),$eeditor.
700 1 $aHaynes, Jo$c(Sociologist),$eeditor.
700 1 $aBerkers, Pauwke,$eeditor.
700 1 $aDillane, Aileen,$eeditor.
700 1 $aGolemo, Karolina,$eeditor.
776 08 $iPrint version:$tRemaking culture and music spaces$dAbingdon, Oxon ; New York, NY : Routledge, 2022$z9781032184968$w(DLC) 2022024041
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16912222$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS