MARC Record from marc_columbia

LEADER: 03724cam a2200577 i 4500
001 16912227
005 20221119230855.0
006 m o d
007 cr |||||||||||
008 220330s2023 enk ob 001 0deng
010 $a 2022015529
035 $a(OCoLC)on1321819493
035 $a(NNC)16912227
040 $aDLC$beng$erda$cDLC$dOCLCF$dN$T
020 $a100068623X
020 $a9781003300212$q(ebook)
020 $a1003300219
020 $a9781000686234$q(electronic bk.)
020 $z9781032291390$q(hardback)
020 $z9781032224602$q(paperback)
035 $a(OCoLC)1321819493
050 00 $aML421.B4
082 00 $a782.42166092/2$223/eng/20220527
049 $aZCUA
100 1 $aMacFarlane, Thomas,$d1960-$eauthor.
245 10 $aLennon & McCartney :$bpainting with sound /$cThomas MacFarlane.
246 30 $aLennon and McCartney
250 $a[01.].
264 1 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2023.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Lennon & McCartney: Painting with Sound explores the work of two of the most influential composers of the twentieth century. Five decades after the breakup of the Beatles, the music of John Lennon and Paul McCartney continues to fascinate and inspire. Evidence suggests that their uniquely eclectic approach can be traced back to the Liverpool College of Art. Following on that idea, this book explores the creative dialogue between John Lennon and Paul McCartney, both with the Beatles and on their own, that grew out of that early influence. MacFarlane considers the Liverpool College of Art as the backdrop for John and Paul's early collaborations with painter and musician Stuart Sutcliffe. This is followed by the main body of the text, presented in three sections: Section I. Stretching the Canvas explores select works created by the band between 1963-66. Section II. Extending the Space assesses key Beatle projects of the late 1960s followed by an exploration of the long-distance creative dialogue between Lennon and McCartney as demonstrated in their respective solo recordings of the 1970s. Section III. New Colours considers the final works of the Lennon and McCartney creative dialogue as well as various McCartney solo projects released in the years that followed Lennon's death in 1980. Here, the focus is on Paul's development as a painter, its effect on his creativity, and his subsequent efforts to establish the Liverpool Institute for Performing Arts as a world-class arts conservatory"--$cProvided by publisher.
588 $aDescription based on print version record and CIP data provided by publisher.
600 10 $aLennon, John,$d1940-1980.
600 10 $aMcCartney, Paul.
600 10 $aSutcliffe, Stuart,$d1940-1962.
600 17 $aLennon, John,$d1940-1980.$2fast$0(OCoLC)fst00050286
600 17 $aMcCartney, Paul.$2fast$0(OCoLC)fst00003655
600 17 $aSutcliffe, Stuart,$d1940-1962.$2fast$0(OCoLC)fst00474931
650 0 $aBeatles.
650 0 $aMusicians as artists.
650 0 $aRock music$xHistory and criticism.
650 7 $aMusicians as artists.$2fast$0(OCoLC)fst01030877
650 7 $aRock music.$2fast$0(OCoLC)fst01099204
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aMacFarlane, Thomas, 1960-$tLennon & McCartney$b[01.]$dAbingdon, Oxon ; New York : Routledge, 2022$z9781032291390$w(DLC) 2022015528
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16912227$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS