MARC Record from marc_columbia

LEADER: 04356cam a2200709 i 4500
001 16627104
005 20220703234728.0
006 m o d
007 cr cnu---unuuu
008 211120t20222022nyu o 001 0 eng
010 $a 2021053415
035 $a(OCoLC)on1288424452
035 $a(NNC)16627104
040 $aDLC$beng$erda$cDLC$dOCLCF$dOCLCO$dYDX$dTYFRS$dYDX
019 $a1288149960
020 $a9781003167945$qelectronic book
020 $a1003167942$qelectronic book
020 $a9781000575149$qelectronic book
020 $a1000575144$qelectronic book
020 $a9781000575170$qelectronic book
020 $a1000575179$qelectronic book
020 $z9780367766580$qhardcover
020 $z9780367766146$qpaperback
024 7 $a10.4324/9781003167945$2doi
035 $a(OCoLC)1288424452$z(OCoLC)1288149960
037 $a9781003167945$bTaylor & Francis
042 $apcc
050 00 $aTR897.7$b.K56 2022
072 7 $aPER$x004010$2bisacsh
072 7 $aART$x057000$2bisacsh
072 7 $aAP$2bicssc
082 00 $a777/.7$223/eng/20211209
049 $aZCUA
100 1 $aKinder, Bill$c(Film editor),$eauthor.
245 10 $aMaking the cut at Pixar :$bthe art of editing animation /$cBill Kinder and Bobbie O'Steen.
264 1 $aNew York, NY :$bRoutledge,$c2022.
264 4 $c©2022
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aIncludes index.
505 0 $aIntroduction. Reframing the editor -- The hub of the wheel : the setup -- "Story, story, story..." : edi-storial -- Conducting a concerto : sound -- Edit first, shoot later : layout -- Cutting Jell-O : workplace challenges -- Out of the Galápagos : editors and technology adapt -- Afterword. Why does it matter?
520 $a"Join industry experts Bill Kinder and Bobbie O'Steen as they guide readers on a journey through every stage of production on an animated film, from storyboards to virtual cameras to final animation. With unprecedented access to the Pixar edit suite, this authoritative project highlights the central role film editors play in some of the most critically acclaimed and commercially successful movies of all time. The animation editor's key contributions emerge through exclusive interviews with Pixar editors, as well as directors, producers, and creative heads. Case studies of never-before-seen works in progress reveal the editor's profound responsibility to a film's audience. In addition to exploring method and craft, this book provides important context for the editor in film history, the evolution of technology, and Pixar's uniquely collaborative studio culture. A must-read for students of digital filmmaking methods, filmmakers in all aspects of production, and fans of Pixar movies. This uniquely educational, historical, and entertaining book sheds light on how beloved stories are crafted from the perspective of crucial members of the filmmaking team"--$cProvided by publisher.
545 0 $aCo-authors Bill Kinder and Bobbie O'Steen are experts in the field. Kinder was the founding Director of Editorial and Post Production at Pixar from 1996-2014. O'Steen is a teacher and film historian, specializing in editing, and author of The Invisible Cut and Cut to the Chase.
588 $aDescription based on online resource; title from digital title page (viewed on July 01, 2022).
610 20 $aPixar (Firm)
610 27 $aPixar (Firm)$2fast$0(OCoLC)fst00653335
650 0 $aComputer animation.
650 0 $aMotion pictures$xEditing.
650 0 $aAnimated films$xProduction and direction.
650 6 $aAnimation par ordinateur.
650 6 $aMontage (Cinéma)
650 7 $acomputer animation.$2aat
650 7 $aPERFORMING ARTS / Film & Video / Direction & Production$2bisacsh
650 7 $aComputer animation.$2fast$0(OCoLC)fst00872015
650 7 $aMotion pictures$xEditing.$2fast$0(OCoLC)fst01027319
655 4 $aElectronic books.
700 1 $aO'Steen, Bobbie,$d1952-$eauthor.
776 08 $iPrint version:$aKinder, Bill$tMaking the cut at Pixar$dNew York, NY : Routledge, 2022$z9780367766580$w(DLC) 2021053414
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16627104$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS