Record ID | marc_columbia/Columbia-extract-20221130-034.mrc:15455057:3611 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-034.mrc:15455057:3611?format=raw |
LEADER: 03611cam a2200517 i 4500
001 16628007
005 20220714225534.0
008 211203s2021 stka c 000 0deng d
035 $a(OCoLC)1287084190
035 $a(OCoLC)on1287084190
035 $a(NNC)16628007
040 $aZYU$beng$erda$cZYU$dZYU$dYDX$dOCLCF$dERASA$dOCLCO$dCUY
019 $a1276775901$a1276847929$a1276933844
020 $a9781908612601
020 $a1908612606
050 4 $aN6537.P49$bA4 2021
082 04 $a700.411
100 1 $aPindell, Howardena,$d1943-$eartist.
245 10 $aHowardena Pindell :$ba new language /$cedited by Fiona Bradley.
264 1 $aEdinburgh :$bFruitmarket ;$aCambridge :$bKettle's Yard ;$aBristol :$bSpike Island ;$a[distributed by] London :$bArt Data,$c[2021]
300 $a141 pages :$billustrations (chiefly color) ;$c25 x 28 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
505 0 $aOn her fingers and toes -- Surface tension -- Free, white and 21 -- Facing it : HOwardena Pindell and activism that is peronal -- Rope/fire/water -- Art world racism.
500 $aThis book published on the occasion of the exhibition "Howardena Pindell. A new language"
520 8 $aArtist, activist, writer, and teacher Howardena Pindell has been a force in contemporary art since the late 1960s. This book is a celebration and critical examination of her painting and writing and marks her first solo exhibition in the UK. It takes its title ? and its cue ? from her: ?I am an artist. I am not part of a so-called ?minority?, ?new? or ?emerging? or ?a new audience?. These are all terms used to demean, limit, and make people of color appear to be powerless. We must evolve a new language which empowers us and does not cause us to participate in our own disenfranchisement.? With illustrations of a selection of paintings from the 1970s to now; new writing from Anna Lovatt of the Southern Methodist University in Dallas, Amy Tobin of the University of Cambridge, and Adeze Wilford from The Shed in New York; and a selection of Pindell?s own writing, this book presents Pindell?s inspiring and unflinchingly active imagination, and explores her articulation of a ?new language? as exemplary in articulating empowerment. 00Exhibition: Fruitmarket Gallery, Edinburgh, UK (13.11.2021-02.05.2022) / Kettle's Yard, Cambridge, UK (02.07-30.10.2022) / Spike Island, Bristol, UK (04.02-07.05.2023).
600 10 $aPindell, Howardena,$d1943-$vExhibitions.
600 10 $aPindell, Howardena,$d1943-$xCriticism and interpretation.
650 0 $aAfrican American women artists$vExhibitions.
650 0 $aPainting, American$y20th century$vExhibitions.
650 0 $aDrawing, American$y20th century$vExhibitions.
650 0 $aAfrican American art$vExhibitions.
600 17 $aPindell, Howardena,$d1943-$2fast$0(OCoLC)fst00185973
650 7 $aAfrican American art.$2fast$0(OCoLC)fst00799012
650 7 $aAfrican American women artists.$2fast$0(OCoLC)fst00799474
650 7 $aDrawing, American.$2fast$0(OCoLC)fst00897776
650 7 $aPainting, American.$2fast$0(OCoLC)fst01050648
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aBradley, Fiona,$eeditor.
710 2 $aFruitmarket Gallery,$eorganizer,$ehost institution.
710 2 $aKettle's Yard Gallery,$eorganizer,$ehost institution.
710 2 $aSpike Island (Firm),$eorganizer,$ehost institution.
852 00 $bfax4off$hN6537.P49$iA4 2021g