MARC Record from marc_columbia

LEADER: 03352cam a2200421Ii 4500
001 16628031
005 20220714225612.0
008 220311t20222022enka bc 000 0 eng d
035 $a(OCoLC)1303217535
035 $a(OCoLC)on1303217535
035 $a(NNC)16628031
040 $aERASA$beng$erda$cERASA$dCNNGC$dYDX$dOCLCO$dQGJ$dOCLCF
020 $a9781913645229$qpaperback
020 $a1913645223$qpaperback
050 4 $aN6923.P2975$bA4 2022
082 04 $a760.092$223
245 04 $aThe art of experiment :$bParmigianino at the Courtauld /$cedited by Ketty Gottardo and Guido Rebecchini.
264 1 $aLondon :$bPaul Holberton Publishing$c2022.
264 4 $c©2022
300 $a184 pages :$billustrations (color) ;$c26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aFirst published to accompany the exhibition The Art of the Experiment Parmigianino at the Courtauld, The Courtauld Gallery, London, 5 March - 5 June 2022.
504 $aIncludes bibliographic references (pages 178-181).
520 8 $aThis catalogue accompanies a display of works by Parmigianino at The Courtauld, including his famous and enigmatic painting of the Virgin and Child, as well as drawn studies for his most ambitious projects such as the Madonna of the Long Neck and the frescoes of the church of Santa Maria della Steccata in Parma. The latter was the last and most important commission of his life and would have been his triumphal homecoming. Instead, Parmigianino became entangled in his experimental processes and failed to complete it, leading to his brief imprisonment for breach of contract.0Fundamentally a draftsman at heart, Parmigianino drew relentlessly during his relatively short life, and around a thousand of his drawings have survived. The Courtauld's collection comprises twenty-four sheets. In preparation for the catalogue, new photography and technical examinations have been carried out on all the works revealing two new drawings that were previously unknown, hidden underneath their historic mounts. They have also helped to better identify connections between some of the drawings and the finished paintings for which they were conceived. The catalogue illustrates the whole Courtauld collection, which also includes two paintings and more than ten prints. As a printmaker, Parmigianino is considered to have been the first to experiment with etching in Italy and was a pioneer of the chiaroscuro woodcut technique. His refined and graceful compositions were much appreciated by his contemporaries and exalted by the artist and biographer Giorgio Vasari (1511-74).--$cpublisher website
600 00 $aParmigianino,$d1503-1540$vExhibitions.
610 20 $aCourtauld Institute Galleries$vCatalogs.
600 06 $aParmigianino,$d1503-1540$vExpositions.
600 07 $aParmigianino,$d1503-1540.$2fast$0(OCoLC)fst00038730
610 27 $aCourtauld Institute Galleries.$2fast$0(OCoLC)fst00511364
655 7 $aCatalogs.$2fast$0(OCoLC)fst01423692
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aGottardo, Ketty,$eeditor.$4edt
700 1 $aRebecchini, Guido,$eeditor.$4edt
710 2 $aCourtauld Institute Galleries,$ehost institution.$4his
852 00 $boff,fax$hN6923.P2975$iA4 2022g