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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-034.mrc:20281081:2974
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-034.mrc:20281081:2974?format=raw

LEADER: 02974cam a2200577Ma 4500
001 16640202
005 20220716231136.0
006 m o d
007 cr cn|||||||||
008 160701r20162000enk ob 001 0 eng d
035 $a(OCoLC)ocn952729752
035 $a(NNC)16640202
040 $aTYFRS$beng$epn$cTYFRS$dOCLCO$dOCLCF$dOCLCO$dOCLCQ$dOCLCO$dWYU$dTYFRS$dLEAUB$dUKAHL$dOCLCQ$dUKMGB$dOCLCO
015 $aGBB667734$2bnb
016 7 $a017851091$2Uk
020 $a9781315596877$q(e-book ;$qPDF)
020 $a1315596873$q(e-book ;$qPDF)
020 $z9780754601098$q(hardback)
020 $a9781317091714$q(ePub ebook)
020 $a131709171X
020 $z9781317091721 (PDF ebook)
020 $z9781317091707 (Mobipocket ebook)
035 $a(OCoLC)952729752
037 $a9781317091714$bIngram Content Group
050 4 $aML1380$b.M86 2016
082 14 $a786.7$bM987
049 $aZCUA
245 00 $aMusic, electronic media, and culture /$cedited by Simon Emmerson.
260 $aLondon ;$aNew York :$bRoutledge,$c2016.
300 $a1 online resource (ix, 252 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $a"First published 2000 by Ashgate Publishing"--Title page verso.
504 $aIncludes bibliographical references and index.
505 0 $apt. 1. Listening and interpreting -- pt. 2. Cultural noise -- pt. 3. New places, spaces and narratives.
520 8 $aAnnotation$bTechnology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of unwitting musicians from non-western cultures. This sound world may appear contradictory - stimulating and invigorating as well as exploitative and destructive. This book addresses some of the issues now posed by the brave new world of music produced with technology.
650 0 $aElectronic music$xHistory and criticism.
650 0 $aMusic$y20th century$xHistory and criticism.
650 0 $aMusic and technology.
650 6 $aMusique et technologie.
650 7 $aElectronic music.$2fast$0(OCoLC)fst00907363
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusic and technology.$2fast$0(OCoLC)fst01030490
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aEmmerson, Simon,
776 08 $iPrint version :$z9780754601098
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16640202$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS