| Record ID | marc_columbia/Columbia-extract-20221130-034.mrc:22979724:3439 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-034.mrc:22979724:3439?format=raw |
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001 16644389
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008 211130t20222022mau ob 001 0 eng d
035 $a(OCoLC)on1286684165
035 $a(NNC)16644389
040 $aMITPR$beng$erda$epn$cMITPR$dOCLCO$dOCLCQ$dYDX$dN$T$dEBLCP$dOCLCO$dTFW$dOCLCF
020 $a0262369958$q(electronic bk.)
020 $a9780262369954$q(electronic bk.)
020 $a9780262362054$q(electronic bk.)
020 $a0262362058$q(electronic bk.)
020 $z9780262045193$q(paperback)
020 $z0262045192
035 $a(OCoLC)1286684165
037 $a12089$bMIT Press
037 $a9780262369954$bMIT Press
050 4 $aML1092$b.S64 2022eb
082 04 $a786.7$223
049 $aZCUA
100 1 $aSofer, Danielle,$eauthor.
245 10 $aSex sounds :$bvectors of difference in electronic music /$cDanielle Shlomit Sofer.
264 1 $aCambridge, Massachusetts :$bMIT Press,$c[2022]
264 4 $c©2022
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Part I: Electroacoustics of the Feminized Voice. Schaeffer and Henry's "Erotica" (1950-51) ; Annea Lockwood's Tiger Balm (1970) ; Luc Ferrari's Les Danses Organiques (1973) and Presque Rien avec Filles, For Dancer and Memorized Sound (1989) ; Robert Normandeau's Jeu De Langues (2009) ; Juliana Hodkinson's and Niels Ronsholdt's Fish and Fowl (2011-12) -- Part II. Electrosexual Disturbance. Donna Summer's "Love to Love You, Baby" (1975) ; Alice Shield's Apocalypse (1990-94) ; Annie Sprinkle's Sluts and Goddesses Video Workshop, Sound Score by Pauline Oliveros (1992) ; Barry Truax's Song of Songs (1992) ; TLC's "I'm Good at Being Bad" (1999) ; Janelle Monae's "It's Code" (2013) ; The Wobble Warp : Theesatisfaction's "Enchantruss" (2012), Janelle Monaes and Esperanza Spalding's "Dorothy Dandridge Eyes" (2013), and Stas thee Boss's "Before Anyone Else" (2017) -- Conclusion.
520 $a"Music and sexuality seem to have been linked together since someone first beat out a rhythm on a drum. Making Sex Sound explores the intersection in the mid-20th century onward"--$cProvided by publisher
588 0 $aOnline resource; title from PDF title page (EBSCOhost platform, viewed July 11, 2022).
650 0 $aElectronic music$xHistory and criticism.
650 0 $aSex in music.
650 6 $aSexualité dans la musique.
650 7 $aElectronic music.$2fast$0(OCoLC)fst00907363
650 7 $aSex in music.$2fast$0(OCoLC)fst01114481
653 $aMUSIC / Genres & Styles / Electronic
653 $aTECHNOLOGY & ENGINEERING / Acoustics & Sound
653 $aSOCIAL SCIENCE / Human Sexuality (see also PSYCHOLOGY / Human Sexuality)
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aMusic criticism and reviews.$2fast$0(OCoLC)fst01919942
655 7 $aMusic criticism and reviews.$2lcgft
776 08 $iPrint version:$aSofer, Danielle.$tSex sounds.$dCambridge, Massachusetts : MIT Press, 2022$z9780262045193$w(DLC) 2021033957$w(OCoLC)1260168468
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16644389$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS