MARC Record from marc_columbia

LEADER: 04320cam a2200733 i 4500
001 16645168
005 20220930090038.0
008 211223t20222022miuac bc 000 0deng d
024 $a99991500108
035 $a(OCoLC)on1289942337
040 $aYDX$beng$erda$cYDX$dBDX$dERASA$dILO$dOCLCO$dFNE$dDLM$dCIA$dCAM$dINU$dYDX
019 $a1289920985$a1289986247
020 $a9781636810454$qhardcover
020 $a1636810454$qhardcover
035 $a(OCoLC)1289942337$z(OCoLC)1289920985$z(OCoLC)1289986247
050 14 $aTR645.G73$bD39 2022
082 04 $a770
245 00 $aDawoud Bey & Carrie Mae Weems :$bin dialogue /$cRon Platt and Kinshasha Holman Conwill.
246 3 $aDawoud Bey Carrie Mae Weems
246 3 $aDawoud Bey in dialogue Carrie Mae Weems
246 3 $aDawould Bay, Carrie Mae Weems :$bin dialogue
246 30 $aIn dialogue
264 1 $aGrand Rapids, MI :$bGrand Rapids Art Museum ;$aNew York :$bDelMonico Books ; D.A.P.,$c[2022]
264 4 $c©2022
300 $a176 pages :$billustrations (some color), portraits ;$c29 x 26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of an exhibition at the Grand Rapids Art Museum, Michigan, January 29-April 30, 2022; Tampa Museum of Art, Florida, July 1-October 23, 2022; Seattle Art Museum, Washington, November 15, 2022-January 23, 2023; J. Paul Getty Museum, Malibu, California, April 4-July 9, 2023.
504 $aIncludes bibliographical references.
505 00 $gDirector's foreword /$rDana Friis-Hansen --$gCurator's acknowledgments /$rRon Platt --$tSustaining connections /$rRon Platt --$tDreams undeferred: the vision of Dawoud Bey and Carrie Mae Weems /$rKinshasha Holman Conwill --$tEarly work --$tExpanding the scope --$tResurrecting Black histories --$tMemorial and requiem --$tRevelations in the landscape --$tA reflection /$rDawoud Bey --$tDawoud Bey: connections /$rCarrie Mae Weems --$gTimeline.
520 8 $aDawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years, these close friends and colleagues have each produced bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s. Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power.
600 10 $aBey, Dawoud,$d1953-$vExhibitions.
600 10 $aWeems, Carrie Mae,$d1953-$vExhibitions.
600 17 $aBey, Dawoud,$d1953-$2fast$0(OCoLC)fst00359008
600 17 $aWeems, Carrie Mae,$d1953-$2fast$0(OCoLC)fst00309168
650 0 $aAfrican American photographers$vExhibitions.
650 0 $aAfrican American women photographers$vExhibitions.
650 0 $aPortrait photography.
650 0 $aPhotography, Artistic$y20th century.
650 0 $aPhotography, Artistic$y21st century.
650 6 $aPhotographes noirs américains$vExpositions.
650 6 $aFemmes photographes noires américaines$vExpositions.
650 6 $aPortraits (Photographie)
650 6 $aPhotographie artistique$y20e siècle.
650 6 $aPhotographie artistique$y21e siècle.
650 7 $aAfrican American photographers.$2fast$0(OCoLC)fst00799297
650 7 $aAfrican American women photographers.$2fast$0(OCoLC)fst01930828
650 7 $aPortrait photography.$2fast$0(OCoLC)fst01072259
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
648 7 $a1900-1999$2fast
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aBey, Dawoud,$d1953-$ephotographer,$eartist,$econtributor.
700 1 $aWeems, Carrie Mae,$d1953-$ephotographer,$eartist,$econtributor.
700 1 $aPlatt, Ron,$d1959-$eauthor.
700 1 $aConwill, Kinshasha,$eauthor.
710 2 $aGrand Rapids Art Museum,$ehost institution.
710 2 $aTampa Museum of Art,$ehost institution.
710 2 $aSeattle Art Museum,$ehost institution.
710 2 $aJ. Paul Getty Museum,$ehost institution.
852 00 $boff,fax$hTR645.G732$iG73 2022g
852 0 $bbar$hTR645.G73$iD39 2022