MARC Record from marc_columbia

LEADER: 03435cam a2200505Ii 4500
001 16656621
005 20220928112944.0
008 191106s2022 xr a c 000 0dcze d
035 $a(OCoLC)on1344294272
040 $aERASA$beng$erda$cERASA$dZCU
020 $a9788070101834
020 $a8070101830
035 $a(OCoLC)1344294272
041 0 $acze$aeng
050 4 $aN6490
050 4 $aNB534.5.S827$bA4 2022
082 04 $a700.411
049 $aZCUA
245 00 $aSuška : Kameny - Škoda : Objekty =$bSuška : Stones - Škoda : Objects /$cMagdalena Juříková, kurátorka ; Magdalena Juříková, Čestimír Suška, Michal Škoda, text ; Tomáš Míka, Vincent Farnsworth, překlad
246 30 $aŠkoda : Objekty
246 31 $aSuška : Stones - Škoda : Objects
246 30 $aŠkoda : Objects
246 34 $aKameny : Objekty =$bStones : Objects
246 3 $aStones : Objects
264 1 $aPraha :$bGalerie hlavního města Prahy,$c2022.
300 $a99 pages :$bcolor illustrations ;$c26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aIn the 2022 season, we again combine two artists who share many common themes based on interaction with space. As Michal Škoda creates works almost exclusively for the interior, Čestmír Suška gets a space in the gardens and in the orchard of Troja Château, composing some works specifically for the selected sites. Michal Škoda works with maximally reduced shapes that expand via hybrid form in space and thus do not resemble classical/traditional stereometric formations. They look like objects derived from futuristic architecture, or boxes hiding some magical secret. In addition, he is extensively focused on drawing, a 2D expression of the spatial layouts observed in the objects. Alongside minimalist morphology, the use of black monochrome or the simple contrast of black and white is an important expressive component of his works. Čestmír Suška often defines his work through material. Currently, he is standing firmly in a new phase, dealing with stone. His work with perforated cisterns is a thing of the past and the removing of a mass from a stone block represents a completely opposite sculptural procedure which not only requires craftsmanship and a flexible perception of the quality of the stone, but also that the original concept of the future work, the final product, must not be deviated from. Exhibition: Prague City Gallery, Czech Republic 06.04. - 30.10.2022).
546 $aText in Czech and English
600 17 $aSuška, Čestmír,$d1952-$2fast$0(OCoLC)fst01960823
600 17 $aŠkoda, Michal,$d1962-$2fast$0(OCoLC)fst01960613
650 7 $aSculpture, Czech$2fast$0(OCoLC)fst01109635
650 7 $aStone carving$2fast$0(OCoLC)fst01133837
655 7 $aExhibition catalogs$2fast$0(OCoLC)fst01424028
700 1 $aJuříková, Magdalena,$ecurator,$einterviewer.
700 1 $aSuška, Čestmír,$d1952-$einterviewee.
700 1 $aŠkoda, Michal,$d1962-$einterviewee.
700 1 $aMíka, Tomáš,$d1959-$etranslator.
700 1 $aFarnsworth, Vincent,$etranslator.
710 2 $aGalerie hlavního města Prahy,$eissuing body.
710 2 $aZámek Troja (Galerie hlavního města Prahy),$ehost institution.
852 00 $boff,fax$hNB534.5.S827$iA4 2022g