MARC Record from marc_columbia

LEADER: 06049cam a2200493 i 4500
001 16676140
005 20220901090042.0
008 210708t20222022nyuag bf 001 0 eng
010 $a 2021033793
024 $a99991197409
035 $a(OCoLC)on1265457834
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dOCLCO$dPSC$dYDX$dOCLCO$dOBE$dOCLCO$dTJC$dGSU
020 $a9780199793525$qhardcover
020 $a0199793522$qhardcover
020 $z9780197607527$qelectronic book
020 $z9780199793631$qelectronic book
020 $z9780199984169$qelectronic book
035 $a(OCoLC)1265457834
042 $apcc
050 4 $aML3797.4$b.O94 2022
082 00 $a780.72$223
245 04 $aThe Oxford handbook of music and queerness /$cedited by Fred Everett Maus and Sheila Whiteley ; with Tavia Nyong'o and Zoe Sherinian, associate editors.
264 1 $aNew York, NY :$bOxford University Press,$c[2022]
264 4 $c©2022
300 $axiii, 676 pages :$billustrations, music ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $gPart I.$tKinds of music.$tWhose refuge, this house? : The estrangement of queers of color in electronic dance music /$rLuis-Manuel Garcia-Mispireta ;$tThe queer pleasures of musicals /$rBradley Rogers ;$tThe gospel according to the gays : Queering the roots of gospel music /$rE. Patrick Johnson ;$tQueer as trad : LGBTQ performers and Irish traditional music in the United States /$rTes Slominski ;$tGay country, TransAmericana, and queer sincerity /$rShana Goldin-Perschbacher ;$tQueer hip hop : A brief historiography /$rShanté Paradigm Smalls --$gPart II.$tVersions.$tFrom queer musicology to indecent theology : Liberal and liberationist Protestant theology and musical queerings of the Bible /$rDirk von der Horst ;$tOperatic adaptations and the representation of non-normative sexualities /$rFreya Jarman ;$tQueer audiovisual creativity : Fan-created music videos from Star Trek to Bad Girls /$rNina Treadwell ;$tKaraoke, queer theory, queer performance : Dedicated to José Esteban Muñoz /$rKaren Tongson --$gPart III.$tVoices and sounds.$tFree as a bird? : Thinking with the grain of Meshell Ndegeocello's butch voice /$rTavia Nyong'o ;$tTransgender passing guides and the vocal performance of gender and sexuality /$rStephan Pennington ;$tSound desires : Auralism, the sexual fetishization of music /$rJodie Taylor ;$tTranscripts : Toward a queer phenomenology of the field recording /$rDrew Daniel --$gPart IV.$tLives.$tQueering Brighton /$rSheila Whiteley ;$t(To) Queer : "A" life to music /$rElizabeth Gould ;$tEndangered tenderness : Schubert, Chopin, and Schumann /$rCharles Fisk ;$tMusical awakenings : The experiences of a queer music therapist in the face of HIV and AIDS /$rColin Andrew Lee ;$tToward a trans* method in musicology /$rDana Baitz ;$tQuare times : An introduction to a queer perspective on Afrofuturism and a reading of Sun Ra's Space is the place /$rTim Stüttgen ;$tMusical abjects : Sounds and objectionable sexualities /$rJenny Olivia Johnson --$gPart V.$tHistories.$tMusic in the margins : Queerness in the clerical imagination, 1200-1500 /$rLisa Colton ;$tThe queer history of the castrato /$rEmily Wilbourne ;$tQueering middle class gender in nineteenth-century US theater /$rGillian M. Rodger ;$tAnglophone songs about HIV/AIDS /$rMatthew J. Jones ;$tQueer patriotism in the Eurovision Song Contest /$rIvan Raykoff --$gPart VI.$tCross-Cultural Queerness?$tInterdisciplinary enqueeries from India : Moving toward a queer ethnomusicology /$rZoe Sherinian ;$tKunqu cross-dressing as artistic and/or queer performance /$rJoseph S. C. Lam ;$tNon-ordinary gender and sexuality in Indonesian performance /$rHenry Spiller ;$tOut in the undercurrents : Queer politics in Hong Kong popular music /$rYiu Fai Chow and Jeroen de Kloet ;$tHow to do things with theory : Cultural "transcription," "queerness," and Ukrainian pop /$rStephen Amico.
520 $a"In the 1990s, academic study of LGBTQ issues in relation to music centered on classical music, and the research topics and researchers were mostly white. The scope of the field has expanded greatly since then, with ongoing research on classical music, extensive work on white popular music, a growing literature on Black music, and recent initiatives in ethnomusicology. The term "queer" has risen as a welcome intention of inclusiveness, along with some complexity in its meanings. In The Oxford Handbook of Music and Queerness, contributors choose their relationship to the term as it relates to their work within and without the academic community. Offering a decisive departure from a Western- and Eurocentric approach to music, this Handbook reflects different rhetorics of queer musicology. Chapters look at music and queer experience across a range of venues and approaches, from gospel to electronic dance music; from Hong Kong public music to Ukrainian pop. Together, contributors illustrate the potential of queer methodologies in the musical realm, and where we go from here. Keywords: queer musicology, ethnomusicology, queer performance, popular music, queer theory, music and sexuality, LGBTQ studies"--$cProvided by publisher.
650 0 $aQueer musicology.
650 0 $aHomosexuality and music.
650 0 $aGender identity in music.
650 6 $aHomosexualité et musique.
650 6 $aIdentité sexuelle dans la musique.
650 7 $aGender identity in music.$2fast$0(OCoLC)fst00939609
650 7 $aHomosexuality and music.$2fast$0(OCoLC)fst00959821
700 1 $aMaus, Fred Everett,$eeditor.
700 1 $aWhiteley, Sheila,$d1941-$eeditor.
700 1 $aOchieng' Nyongó, Tavia Amolo,$eeditor.
700 1 $aSherinian, Zoe C.,$eeditor.
776 08 $iOnline version:$tOxford handbook of music and queerness$b[1.]$dNew York : Oxford University Press, 2021$z9780197607527$w(DLC) 2021033794
852 0 $bbar$hML3797.4$i.O94 2022