MARC Record from marc_columbia

LEADER: 03037cam a2200397 i 4500
001 16612544
005 20220706155759.0
008 220531s2021 ag a b 000 0 spa d
020 $a9789878475110
035 $a(OCoLC)1331560241
035 $a(OCoLC)on1331560241
035 $a0000011165
035 $a(NNC)16612544
040 $aHKB$beng$cHKB$erda$dNNC
043 $as-ag---
090 $aNX820.A72$bC47 2021
100 1 $aCerviño, Mariana,$d1973-$eauthor.
245 13 $aLa revolución rosa light :$barte, sexualidad y clase en el Rojas de la posdictadura /$cMariana Cerviño.
246 3 $aArte, sexualidad y clase en el Rojas de la posdictadura
250 $aPrimera edición.
264 1 $aLa Plata, Argentina :$bEDULP,$c[2021]
264 4 $c©2021.
300 $a333 pages :$billustrations ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 323-335)
505 8 $aIntroducción. El Rojas. La revolución rosa light -- Las condiciones de inicio. El campo cultural de Buenos Aires en la posdictadura -- Jorge Gumier Maier -- La diferencia del Rojas (1989-1993) -- El Rojas y los otros -- La conquista de la autonomía.
520 8 $aWorks of art are not born from a cabbage. Artistic singularity is a historical-social product like any other creation of human culture. Trivial materials, pastel colors, glitters; the beauty, in short, the vulgar of the everyday that the Centro Cultural Ricardo Rojas (C.C.R.R) of the University of Buenos Aires made legitimate, did not arise naturally. It prevailed against the proud tone of the trans-avant-garde, or the pierced transcendence of realism with political sensibility. These artists committed heresy, they caused discomfort. Mariana Cerviño explains the emergence of this singularity. And it does so in the best tradition of sociology, historicizing and understanding that human beings make their own history, but do not do it under circumstances chosen by themselves. That is why it can give an account of the homosexual experience of the end of the dictatorship, linking it productively with the social condition of newcomers to the world of culture of the most dynamic artists of "el Rojas". And thus, to understand that these outsiders establish a relationship of affection with the culture, since it was a "refuge where they could survive the bitter feeling of loneliness, of insult, to alleviate in part the suffering that in so many cases ,took their lives directly.".
546 $aIn Spanish.
610 20 $aCentro Cultural Rector Ricardo Rojas$xHistory.
610 20 $aGumier Maier, Jorge :$d1953-2021$xCriticism and interpretation.
650 0 $aArts, Argentine$xSocail aspects$zArgentina$zBuenos Aires$y20th century.
650 0 $aHomosexuality and the arts$zArgentina$zBuenos Aires$xHistory$y20th century.
651 0 $aBuenos Aires (Argentina)$xIntellectual life$y20th century.
852 00 $boff,fax$hNX820.A72$iC47 2021g