MARC Record from marc_columbia

LEADER: 02323cam a2200529 i 4500
001 16759351
005 20221112225240.0
006 m o d
007 cr |||||||||||
008 220330s2022 mdu ob 001 0 eng
010 $a 2022015426
035 $a(OCoLC)on1308409869
035 $a(NNC)16759351
040 $aDLC$beng$erda$cDLC$dN$T$dOCLCF$dEBLCP$dUAB
020 $a1666911364
020 $a9781666911367$q(electronic bk.)
020 $z9781666911350$q(cloth)
035 $a(OCoLC)1308409869
042 $apcc
050 00 $aML410.V76
082 00 $a780.981$223/eng/20220331
049 $aZCUA
100 1 $aAverbach, Ricardo,$eauthor.
245 10 $aVilla-Lobos and modernism :$bthe apotheosis of cannibal music /$cRicardo Averbach.
264 1 $aLanham :$bLexington Books,$c[2022]
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
520 $a"Ricardo Averbach places Heitor Villa-Lobos as the top exponent of Cultural Cannibalism in music, an aesthetic movement that has been neglected due to traditional Eurocentric views of Modernism. Villa-Lobos and Modernism shows how much our present aesthetics owes to the Modernist ideas introduced by the Brazilian composer"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
588 $aDescription based on print version record.
600 10 $aVilla-Lobos, Heitor$xCriticism and interpretation.
600 17 $aVilla-Lobos, Heitor.$2fast$0(OCoLC)fst00049998
650 0 $aMusic$zBrazil$y20th century$xHistory and criticism.
650 0 $aModernism (Music)$zBrazil.
650 6 $aModernisme (Musique)$zBrésil.
650 7 $aModernism (Music)$2fast$0(OCoLC)fst01736351
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
651 7 $aBrazil.$2fast$0(OCoLC)fst01206830
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aAverbach, Ricardo.$tVilla-Lobos and modernism$dLanham : Lexington Books, 2022$z9781666911350$w(DLC) 2022015425
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16759351$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS