MARC Record from marc_columbia

LEADER: 03515cam a2200601 i 4500
001 16759752
005 20220906100108.0
008 220221t20222022ncua b 001 0 eng
010 $a 2021057125
035 $a(OCoLC)on1285870365
040 $aNcD/DLC$beng$erda$cDLC$dYDX$dOCLCF$dOCLCO$dBDX$dUKMGB
015 $aGBC2C2208$2bnb
016 7 $a020676648$2Uk
019 $a1285770345$a1285772308$a1285872246
020 $a9781478016205$q(hardcover)
020 $a1478016205
020 $a9781478018841$q(paperback)
020 $a1478018844
020 $z9781478023470$q(ebook)
035 $a(OCoLC)1285870365$z(OCoLC)1285770345$z(OCoLC)1285772308$z(OCoLC)1285872246
042 $apcc
050 00 $aN72.F45$bG74 2022
082 00 $a704/.0420905$223/eng/20220526
084 $aART015000$aART065000$2bisacsh
049 $aZCUA
100 1 $aGrant, Catherine$q(Catherine Mary),$eauthor.
245 12 $aA time of one's own :$bhistories of feminism in contemporary art /$cCatherine Grant.
263 $a2208
264 1 $aDurham :$bDuke University Press,$c2022.
300 $a1 volume :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: Anachronizing feminism -- Fans of feminism -- Killjoy's Kastle in London -- A time of one's own -- A feminist chorus -- Conversations and constellations -- Conclusion: Rooms of our own.
520 $a"Covering artworks from 2002 to 2017, A Time of One's Own maps a revival of feminism in contemporary art that takes up the creative and political implications of disrupted temporalities to activate "a time of one's own." Catherine Grant shifts Virginia Woolf's spatial metaphor of a "room of one's own" into a temporal register in order to bring together different historical moments of feminist thinking. In doing so, Grant positions reenactments of past feminist projects not just as an art practice, but as a model for a queered feminist art history in which discussions of queer temporalities, feminist histories, and definitions of "the contemporary" and "contemporary art" are refined and politicized. Joining political theorizing and creative imagining from Bertolt Brecht, Walter Benjamin, and Virginia Woolf with theories of queer temporalities, feminist time and 'the contemporary' in art, this book narrates an intentionally incomplete feminist art history that joins real and imagined feminist communities across time and place"--$cProvided by publisher.
650 0 $aFeminism and art.
650 0 $aFeminism in art.
650 0 $aHomosexuality and art.
650 0 $aArt$xPolitical aspects.
650 0 $aFeminist theory.
650 0 $aQueer theory.
650 7 $apolitical art.$2aat$0(CStmoGRI)aat300256621
650 7 $aART / History / General.$2bisacsh
650 7 $aART / Women Artists.$2bisacsh
650 7 $aArt$xPolitical aspects.$2fast$0(OCoLC)fst00815309
650 7 $aFeminism and art.$2fast$0(OCoLC)fst00922727
650 7 $aFeminism in art.$2fast$0(OCoLC)fst00922751
650 7 $aFeminist theory.$2fast$0(OCoLC)fst00922816
650 7 $aHomosexuality and art.$2fast$0(OCoLC)fst00959813
650 7 $aQueer theory.$2fast$0(OCoLC)fst01739572
776 08 $iOnline version:$aGrant, Catherine (Catherine Mary).$tTime of one's own.$dDurham : Duke University Press, 2022$z9781478023470$w(DLC) 2021057126
852 00 $bfax4off$hN72.F45$iG74 2022