MARC Record from marc_columbia

LEADER: 03975cam a2200481Ii 4500
001 16760335
005 20220915110750.0
008 220616s2020 ck a b 000 0 spa d
035 $a(OCoLC)on1311087851
040 $aSTF$beng$erda$cSTF$dOCLCO$dOCLCF$dH7K$dPTS$dPAU
020 $a9789587844498
020 $a9587844491
035 $a(OCoLC)1311087851
041 1 $aspa$bspa$beng
043 $ae------$acl-----
050 4 $aN8080.B37$bG669 2020
049 $aZCUA
100 1 $aGonzález López, Francisco,$eauthor.
245 10 $a¡A esta santa Bárbara jamás me encomendé! :$blos giros de la iconografía de santa Bárbara en la Nueva Granada /$cFrancisco González López
246 33 $aA esta santa Bárbara jamás me encomendé
246 30 $aGiros de la iconografía de santa Bárbara en la Nueva Granada
250 $aPrimera edición
264 1 $aBogotá, D.C$bEditorial Universidad del Rosario,$c2020
300 $axxxii, 154 pages :$billustrations (chiefly color) ;$c21 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCiencias Humanas
504 $aIncludes bibliographical references (pages 143-154).
505 0 $aApropiaciones de la imagen de santa Bárbara en América -- Una sinopsis de la leyenda -- Santa Bárbara: atributos y patronatos -- Reafirmando las excepciones iconográficas -- La huella tridentina en la Nueva Granada -- ¿Adaptaciones locales de santa Águeda? -- Los vecinos de la parroquia de Santa Bárbara -- Santa Bárbara en las capillas doctrineras -- Y al final, las mismas preguntas. -- Una aproximación a los signos y atributos presentes en la imagen de santa Bárbara -- Anexo. Listado de textos revisados para la búsqueda de imágenes de santa Bárbara.
546 $aIn Spanish, with abstract in also in English.
520 $aIn the development of the process of colonization of Hispanic America, the Crown directed its batteries through the propagation of the faith. An instrument of persuasion that used the rhetoric of the images of the saints of the early times as a model to follow to achieve salvation, mainly aimed at the illiterate people of the new territories. In this context, the legend of Saint Barbara was highlighted as one of the most important in the consolidation of Christianity. However, the image with its traditional attributes of the tower, the chalice and the sword, of common figuration in Medieval Europe, underwent a substantial transformation in some temples of the current Region of Cundiboyacense where it was represented both in painting and sculpture, at the time of the ordeal of cutting her breasts. A fact not recorded in the primitive hagiography of the defender of thunder and patroness of the good death and hard work. Through a chronological and iconographic analysis of 220 images of Saint Barbara made between the 15th and 18th centuries, it was sought, in the first place, to establish the conventional representation and its variations, in addition to its distribution in Europe and America. Then, hypotheses were formulated about the conditions that accompanied the Neo-Granada artist Gaspar de Figueroa, his descendants, and almost a century later, the sculptor Pedro Laboria in the execution of the image of the so-called Baroque saint Barbara.
600 00 $aBarbara,$cSaint$xArt$xHistory.
600 00 $aBarbara,$cSaint$xCult$zColombia$xHistory.
650 0 $aChristian art and symbolism$zLatin America$xHistory.
650 0 $aChristian art and symbolism$zEurope$xHistory.
600 07 $aBarbara,$cSaint.$2fast$0(OCoLC)fst00112129
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aChristian art and symbolism.$2fast$0(OCoLC)fst00858904
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aCiencias humanas (Editorial Universidad del Rosario)
852 00 $bfax4off$hN8080.B37$iG669 2020g