MARC Record from marc_columbia

LEADER: 04285cam a2200673 i 4500
001 16761689
005 20220908110118.0
008 211008s2022 ncua b 001 0 eng
010 $a 2021039223
035 $a(OCoLC)on1264136673
040 $aNcD/DLC$beng$erda$cDLC$dOCLCF$dOCLCO$dNDD$dOCLCO
019 $a1264141339
020 $a9781478015512$q(hardcover)
020 $a1478015519
020 $a9781478018148$q(paperback)
020 $a1478018143
020 $z9781478022756$q(ebook)
035 $a(OCoLC)1264136673$z(OCoLC)1264141339
042 $apcc
050 00 $aTR575$b.M59 2022
082 00 $a770$223/eng/20211012
084 $aPHO005000$aSOC052000$2bisacsh
049 $aZCUA
100 1 $aMorse, Nicole Erin,$d1987-$eauthor.
245 10 $aSelfie aesthetics :$bseeing trans feminist futures in self-representational art /$cNicole Erin Morse.
264 1 $aDurham :$bDuke University Press,$c2022.
300 $axvii, 179 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aDoubling -- Gender performatives and selfie improvisatives -- Visibility politics and selfie seriality -- Selfie time(lines) -- Trans feminist futures.
520 $a"In Selfie Aesthetics, Nicole Erin Morse argues that selfies, and selfies by trans feminine creators specifically, interpellate viewers in politically committed encounters. Morse's close readings of individual selfies uncover complex formal strategies that belie the sense that these are artless or disposable media. Rather than narcissistic or frivolous, selfie creators are artists in political networks who present improvisational identities and new modes of performative resistance. Focusing on four formal strategies-doubling, seriality, collaborative improvisation, and nonlinear temporalities-Selfie Aesthetics shows not only the art of the polysemic form, but also the materialities of trans life that selfies convey. Tracing these strategies in selfies and self-representational art by artists including Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, Selfie Aesthetics demonstrates the aesthetic depth and political utility of selfie creation, distribution, and reception. Contributing to trans feminist political analysis, Selfie Aesthetics shows how digital self-representational art can nuance key insights of queer theory, expand our understanding of self-representation, and construct collective and collaborative modes of being"--$cProvided by publisher.
650 0 $aSelfies (Photography)$xSocial aspects.
650 0 $aPortrait photography$xSocial aspects.
650 0 $aPortrait photography$xPolitical aspects.
650 0 $aSelf-presentation in art.
650 0 $aTransgender people in art.
650 0 $aTransgender artists.
650 0 $aTransgender women.
650 0 $aFeminism in art.
650 6 $aÉgoportraits$0(CaQQLa)000296341$xAspect social.$0(CaQQLa)201-0374080
650 6 $aPortraits (Photographie)$0(CaQQLa)201-0030608$xAspect social.$0(CaQQLa)201-0374080
650 6 $aPortraits (Photographie)$0(CaQQLa)201-0030608$xAspect politique.$0(CaQQLa)201-0382521
650 6 $aPrésentation de soi dans l'art.$0(CaQQLa)000292474
650 6 $aTransgenres dans l'art.$0(CaQQLa)000303787
650 6 $aArtistes transgenres.$0(CaQQLa)000333972
650 6 $aTransgenres féminins.$0(CaQQLa)000327920
650 6 $aFéminisme dans l'art.$0(CaQQLa)000281660
650 7 $aPHOTOGRAPHY / Criticism.$2bisacsh
650 7 $aSOCIAL SCIENCE / Media Studies.$2bisacsh
650 7 $aFeminism in art.$2fast$0(OCoLC)fst00922751
650 7 $aPortrait photography$xSocial aspects.$2fast$0(OCoLC)fst01072266
650 7 $aSelf-presentation in art.$2fast$0(OCoLC)fst01111878
650 7 $aTransgender artists.$2fast$0(OCoLC)fst01895683
650 7 $aTransgender people in art.$2fast$0(OCoLC)fst01920728
650 7 $aTransgender women.$2fast$0(OCoLC)fst02003494
776 08 $iOnline version:$aMorse, Nicole Erin, 1987-$tSelfie aesthetics.$dDurham : Duke University Press, 2022$z9781478022756$w(DLC) 2021039224
852 00 $bfax4off$hTR575$i.M59 2022