| Record ID | marc_columbia/Columbia-extract-20221130-034.mrc:68778965:2046 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-034.mrc:68778965:2046?format=raw |
LEADER: 02046cam a22003733i 4500
001 16781833
005 20221024131351.0
008 220902s2022 ne af 000 0 eng d
035 $a(OCoLC)on1344293951
040 $aERASA$beng$erda$cERASA$dZCU
020 $a9789492852601
020 $a9492852608
035 $a(OCoLC)1344293951
050 4 $aTR655$b.K5895 2022
082 04 $a770
049 $aZCUA
100 1 $aKluiters, Michiel,$ephotographer
245 10 $aDoorways /$cMichiel Kluiters ; texts Maria Barna, Steven Humblet
246 3 $aDoorways :$bMichiel Kluiters
246 3 $aMichiel Kluiters :$bdoorways
264 1 $aPrinsenbeek :$bJAP SAM Books,$c2022
300 $a52 pages, unnumbered pages of plates (some folded) :$billustrations ;$c32 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aWith 'Doorways', visual artist Michiel Kluiters investigates how space (or spatiality) works in photography and how it can become an instrument for narration. A series of photographed spaces open up a conversation and hint at intimate stories. Walls look creaked, roughly textured. They seem to address the hands instead of the eyes: they beg to be touched, to be stroked, to be felt. These spaces look like unfinished buildings or abandoned ruins, still under construction or already in decline. This introduction of a temporal sense - of something that is pointing towards a future completion or to a lingering memory of something that has irrevocably passed - adds to the inherent instability of these works. Are we looking at places that depict a possible dystopian future or the remnants of a utopian past?
600 14 $aKluiters, Michiel
650 7 $aPhotography, Artistic$2fast$0(OCoLC)fst01061964
650 7 $aDoorways in art$2fast$0(OCoLC)fst01903052
648 7 $a2000-2099$2fast
700 1 $aBarnas, Maria,$eauthor.
700 1 $aHumblet, Steven,$eauthor.
852 00 $bave4off$hTR655$i.K5895 2022g