MARC Record from marc_columbia

LEADER: 05601cam a22005897i 4500
001 16809345
005 20221008231413.0
006 m o d
007 cr cnu|||unuuu
008 220718s2023 nyu eo 000 0 eng d
035 $a(OCoLC)on1336501322
035 $a(NNC)16809345
040 $aTYFRS$beng$erda$epn$cTYFRS$dTYFRS$dOCLCF
020 $a9781003241942$q(electronic bk.)
020 $a1003241948$q(electronic bk.)
020 $z9781032149578
020 $z9781032131863
020 $a9781000689471$q(electronic bk. : PDF)
020 $a1000689476$q(electronic bk. : PDF)
020 $a9781000689488$q(electronic bk. : EPUB)
020 $a1000689484$q(electronic bk. : EPUB)
024 7 $a10.4324/9781003241942$2doi
035 $a(OCoLC)1336501322
037 $a9781003241942$bTaylor & Francis
050 4 $aTR385
072 7 $aPHO$x000000$2bisacsh
082 04 $a778.3$223/eng/20220629
049 $aZCUA
100 1 $aAnderson, Christina Z.,$eauthor.
245 14 $aThe experimental darkroom :$bcontemporary uses of traditional black & white photographic materials /$cChristina Z. Anderson.
250 $aFirst edition.
264 1 $aNew York, NY :$bRoutledge, Taylor & Francis Group,$c2023.
300 $a1 online resource (276 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 0 $aContemporary practices in alternative process photography series
505 0 $aPreface, Introduction, Chapter 1: Setting Up the Contemporary Darkroom, Chapter 2: Digital Negatives for the Contemporary Darkroom Part 1: Cameraless Experimentaation, Chapter 3: Photograms and Cliché-Verres, Chapter 4: Lumenprints, Chapter 5: The Chemigram Part 2: Camera Experimentation, Chapter 6: Pinhole and Zoneplate, Chapter 7: The Holga, Part 3 - Printing Experimentation, Chapter 8: Chromo, Chapter 9: Liquid Emulsion and Modern Tintype, Chapter 10: Lith Printing, Chapter 11: Sabattier, Part 4 - Finished Print Experimentation, Chapter 12: Mordancage, Chapter 13: Bleaching and Bleachout, Chapter 14: Toning, Chapter 15: Applied Color and Abrasion Tone, Chapter 16: Encaustic, Collage, Photomontage, Chapter 17: Bromoil, Part 5: Contemporary Experimental Artistis, Appendix, Bibliography
520 $aThe Experimental Darkroom is a book focused on traditional black & white photographic materials--darkroom chemistry and silver gelatin paper--now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a "Just the facts, ma'am" style. Topics included are: Photograms and clichés verre Lumen prints Chemigrams Pinhole and zoneplate Holgas Chromo Liquid emulsion and modern tintype Lith printing Sabattier Mordançage Bleaching and bleachout Toning, traditional to experimental Applied color and abrasion tone Encaustic, photomontage, and collage Bromoil The Experimental Darkroom encourages taking risks and having fun. Over 400 images and 71 artists are included in its 276 pages. The outcome will be an expansion of creative options for the silver gelatin print. The options are engaging and now more accessible with digital negatives. Images are no longer solely captured in camera or on analog film. The darkroom is no longer always dark. The print is no longer a pristine and accurate rendition of what the camera sees. Photographers are pushing the boundaries of black & white photographic practice. It is an exciting time to get into the darkroom and play!
545 0 $aChristina Z. Anderson's work focuses on the contemporary vanitas printed in a variety of 19th century photographic processes. Anderson's work has shown nationally and internationally in 120 shows and 60 publications. Anderson has authored books which have sold in over 40 countries--The Experimental Photography Workbook, Gum Printing and Other Amazing Contact Printing Processes, Gum Printing, A Step by Step Manual Highlighting Artists and Their Creative Practice, Salted Paper Printing, A Step-by-Step Manual Highlighting Contemporary Artists, and Cyanotype: The Blueprint in Contemporary Practice; also Digital Negatives with QuadToneRIP, Demystifying QTR for Photographers and Printmakers co-authored with Ron Reeder, and Handcrafted: The Art and Practice of the Handmade Print co-authored with Wang, Jianming, and King. Anderson is Series Editor for Focal Press/Routledge's Contemporary Practices in Alternative Process Photography series and Professor of Photography at Montana State University. To see her work, visit christinaZanderson.com.
588 0 $aVendor-supplied metadata.
650 0 $aPhotography$xPrinting processes$xSilver.
650 0 $aPhotography$xProcessing$xExperiments.
650 0 $aBlack-and-white photography.
650 0 $aPhotography, Artistic$xTechnique.
650 7 $aPHOTOGRAPHY / General$2bisacsh
650 7 $aBlack-and-white photography.$2fast$0(OCoLC)fst00833803
650 7 $aPhotography, Artistic$xTechnique.$2fast$0(OCoLC)fst01061977
650 7 $aPhotography$xPrinting processes$xSilver.$2fast$0(OCoLC)fst01061800
655 4 $aElectronic books.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio16809345$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS