MARC Record from marc_columbia

LEADER: 03051cam a2200445 i 4500
001 16811031
005 20220927100248.0
008 210814t20222022enka bc 001 0 eng c
024 $a40031301222
035 $a(OCoLC)on1263866373
040 $aYDX$beng$erda$cYDX$dERASA$dUKMGB$dOCLCO$dOCLCF$dQGJ$dMZA$dUAB$dYDX$dCDX$dYDX
020 $a9780861592371$qpaperback
020 $a0861592379$qpaperback
035 $a(OCoLC)1263866373
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043 $ae-fr---$ae-gx---
050 4 $aNE694.M8$bM86 2022
082 04 $a769.92$223/eng/20220912
082 04 $a709.04$223
100 1 $aMunch, Edvard,$d1863-1944.
245 10 $aMunch and his world :$bgraphic arts and the avant-garde in Paris and Berlin /$cedited by Giulia Bartrum.
246 30 $aGraphic arts and the avant-garde in Paris and Berlin
264 1 $aLondon :$bThe British Museum,$c[2022]
264 4 $c©2022
300 $avi, 98 pages :$billustrations (some color) ;$c30 x 22 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBritish Museum research publications ;$v237
504 $aIncludes bibliographical references (pages 91-94) and index
520 8 $aThe art of Edvard Munch is striking for the originality and universality of its themes, which cross moments in place and time. Yet he was very much an artist of the nineteenth century, and the focus of this publication is to show how especially in his prints and photographs Munch was enabled by technical advances developed by his contemporaries to create an entirely new visual language. Munch is probably best known for his desire to express emotions surrounding love, illness and death. However, the authors in this volume show that this preoccupation was not only based on biographical events but reflects wider contemporary debates on developments in medicine and science, including treatment of mental illness, as well as a proliferation of technical expertise in the production of prints. The arguments presented expand on subjects touched upon in the critically acclaimed British Museum exhibition Edvard Munch: love and angst (2019). Munch's remarkable prints were fundamental to establishing his international career, but there remains much to investigate in connection with the background to his innovatory techniques, his relationship with contemporary printmakers and his experiments with photography. The authors in this volume go some way to address these themes and outline future avenues of research.
600 10 $aMunch, Edvard,$d1863-1944$xCriticism and interpretation.
650 0 $aAvant-garde (Aesthetics)$zFrance$zParis.
650 0 $aAvant-garde (Aesthetics)$zGermany$zBerlin.
600 17 $aMunch, Edvard,$d1863-1944.$2fast$0(OCoLC)fst00030085
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aBartrum, Giulia,$eeditor.
830 0 $aResearch publication (British Museum) ;$v237.
852 00 $bave4off$hNE694.M8$iM86 2022