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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-034.mrc:83314068:5093
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-034.mrc:83314068:5093?format=raw

LEADER: 05093cam a2200625Ii 4500
001 16865545
005 20221014081316.0
008 210429t20212021vraa 000 0 eng
024 $a99991811377
035 $a(OCoLC)on1250481944
040 $aAU@$beng$erda$cAU@$dOCLCO$dOCLCF$dYDX$dOCLCO$dYDX
020 $a9780648680178
020 $a0648680177$qpaperback
035 $a(OCoLC)1250481944
042 $aanuc
043 $au-at---
050 4 $aGV1785.L334$bS54 2021
082 04 $a792.8/2092$223
245 00 $aShelley Lasica, the design plot /$ctexts, Joe Theodore, Pip Wallis, Megan Payne ; editors, Justine Ellis, Dan Rule ; design, Paul Mylecharane, Kim Mumm Hansen.
246 13 $aDesign plot
264 1 $aMelbourne, Australia :$bPerimeter Editions,$c[2021]
264 3 $aNetherlands :$bPrinted by Wilco Art Books.
264 4 $c©2021
300 $a128 pages (last 14 unnumbered) :$bcolour illustrations ;$c30 cm.
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPerimeter editions ;$v061
500 $aEditors: Justine Ellis and Dan Rule.
500 $aDesign: Paul Mylecharane, Kim Mumm Hansen at Public Office.
500 $aFirst edition of 600.
505 00 $tThree texts: --$tIntroduction /$rZoe Theodore --$tIt's capricious, capricious everyday /$rPip Wallis --$tThe Landlord /$rMegan Payne.
520 $aOver a career spanning more than three decades, Shelley Lasica's practice has placed the creative and processional machinations of dance and choreography centre stage. Skirting histories of visual, spatial and performance art as closely as she has embraced dance and choreography, the Melbourne artist's propositions test the limits of the mediums in which they operate, forever expanding contexts and posing questions of just what dance is and what it can be as art. ¶ Lasica's debut book The Design Plot - which features texts by project producer Zoe Theodore, curator Pip Wallis and writer Megan Payne - acts as both documentation of Lasica's ever-evolving practice and a wider vehicle for exploring the relationship between the body and architectural space, imagination and memory. Tracing ten iterations of the collaborative dance work from which the book takes its name, The Design Plot is at once organised and amorphous in its bearings - image sequences fracturing and folding in on themselves amidst a measured, cumulative flow of gestures, people, movements and architectures. ¶ Like the performances themselves - which were conceived with dancers Ellen Davies, Timothy Harvey, Louella Hogan, Daniel Newell, Lilian Steiner and Jo White - the book is just another iteration of The Design Plot's ongoing process and self-interpretation. 'Each time The Design Plot is performed,' writes Zoe Theodore in her essay for the book, 'it is durational or cumulative, as it hosts a collective conversation that continually questions: What is the work? Where is the work? What happens to the work after occupying this architecture of time and space?'.
545 0 $aFor more than thirty years, Shelley Lasica has pushed the confines of dance, choreography and performance. Her practice is defined by an enduring interest in the context and situations of presenting choreography. She regularly collaborates with visual artists, including Tony Clark, Helen Grogan, Anne Marie May, Callum Morton and Kathy Temin, in order to create dialogues between different modes and means of presentation. Lasica's choreographic works have been shown nationally and internationally within both visual art and theatre contexts, including: Melbourne Festival; National Gallery of Victoria, Melbourne; Chunky Move, Melbourne; Artspace, Sydney; Centre Nationale de la Danse, Paris; Siobhan Davies Studios, London; Dance Massive, Melbourne; Australian Centre for Contemporary Art, Melbourne; Murray White Room, Melbourne; and Anna Schwartz Gallery, Melbourne. She has been invited to research and develop new work through residencies at Gertrude Contemporary, Melbourne; Artspace, Sydney; Lucy Guerin Inc, Melbourne; The Substation, Melbourne; and PFERD, Vienna, Austria.
563 $aSoftcover, coldglue perfect bind.
600 10 $aLasica, Shelley,$d1961-
650 0 $aChoreographers$zAustralia.
650 0 $aModern dance$zAustralia.
650 0 $aPerformance art$zAustralia.
650 6 $aChorégraphes$zAustralie.
650 7 $aChoreographers.$2fast$0(OCoLC)fst00858596
650 7 $aModern dance.$2fast$0(OCoLC)fst01024421
651 7 $aAustralia.$2fast$0(OCoLC)fst01204543
653 $aAustralian
700 12 $aLasica, Shelley,$d1961-$tWorks.$kSelections.
700 1 $aTheodore, Zoe,$econtributor.
700 1 $aWallis, Pip,$econtributor.
700 1 $aPayne, Megan,$econtributor.
700 1 $aRule, Dan,$eeditor.
700 1 $aEllis, Justine,$eeditor.
700 1 $aMylecharane, Paul,$ebook designer.
700 1 $aMumm Hansen, Kim,$ebook designer.
830 0 $aPerimeter editions ;$v061.
852 $bfax4off